Good Night Blue

Last Gast Cafe 107 Good Night Blue composed and performed by Peter Cleave

Saw You

Saw You composed and performed by Peter Cleave



公主小妹 Ep1 吴尊 张韶涵 晨亦儒 胡宇崴 利昂霖 飛輪海 飞轮海 Fahrenheit 爱上公主小妹 愛上公主小妹 Romantic Princess Wu Chun Angela

Song for a walker: Idol

中川家剛　ラッパーウルリン滞在記１ リンカーン 中川家 剛 ラップ メーン

http://www.youtube.com/watch?v=0BO25CeJ4Es

Last Gasp Cafe 106

Featuring comments on Michael Scorey's 'Levonia', Dean Murray's success in the USA, Murray Haddow and the song Good Night Blue composed and performed by Peter Cleave.

Contact zebmansell@clear.net.nz for copies of Michael corey's 'Levonia'

The Idol Dies: You're Free

You;re Free composed and performed by Peter Cleave

Good Night Blue

Good Night Blue composed and performed by Peter Cleave

Song for Canton

Long Black Jar composed and performed by Peter Cleave

Wiltshire Autumn

Wiltshire Autumn
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seven track CD
I thought I was in New York
Hey Joe (trad)
X Love
Cafe Vertex
Lady so far
Changing Chairs
Sweet Miss Jay
All songs except Hey Joe composed by Peter Cleave. All songs performed by Peter Cleave
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Rangahau pae iti kahurangi: research in a small world of light an shade

Rangahau pae iti kahurangi
Research in a small world of light and shade
Second Edition
Peter Cleave
Buy Now
ISBN
978-1-877229-23-7
Campus Press
26 Sycamore Crescent
Palmerston North
Thanks to Micah and the team
at Warehouse Stationery
Palmerston North
Bound by New Life Bookbindings
28 Avenue Rd
Greenmeadows
Napier


Contents

1 Wahi Rangahau; Places of Inquiry

2 And on to the problem...

3 Images

4 The critical people

5 Comfort Zones

6 Found Rules

7 Drama

8 What is being pursued?

9 Back to the image

10 Learning outcomes?

11 Back to the whare

12 Rangahau, ethics and social work education

13 An ethic of empathy

14 Action Research?

15 Fields of light and shade

16 Action Research

17 Research that matters
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Papers on Social Work

Papers on Social Work
Buy Now
Peter Cleave
2007
Second Edition
ISBN
978-1-877229-21-3
Papers on Social Work
Second Edition

Campus Press
26 Sycamore Crescent
Palmerston North

Thanks to Micah and the team
at Warehouse Stationery
Palmerston North

Bound by New Life Bookbindings
28 Avenue Rd
Greenmeadows
Napier

Introduction
These papers venture into several areas of social work but there may be some features that set the collection aside.

The first is an emphasis throughout on social work education. This interest is set out in in the first chapter where there is a comparison between local and European traditions. Work by Carola Khulmann and Peter Cleave appears early in the collection and is then taken further in subsequent papers.

One emphasis or theme which keeps coming up is to do with a ethic. This is touched in the comparison of social work in Germany and Aotearoa/New Zealand, looked at in the article, An ethic of empathy, and touched on again in the article on iwi social services.

Another theme is to do with indigenous ways of research. The paper on rangahau is the most discursive in the collection and the intention here is to take the arguments as far as they might go without necessarily coming to fixed conclusions.

Yet another pertains to the dynamics of small group work in social work learning and teaching. This work is perhaps the most widely published while some of the other papers are offered to a broader readership for the first time.

The consideration of broadcasting and social work is, I think, different from the other papers in many respects and, along with the paper on iwi social services, a little tentative in its conclusions These are both new areas of work for me and it shows. In later editions the intention is to refine and develop the arguments involved,


Peter Cleave

Contents

1.Ethics and Social Work Education

2.An ethic of empathy

3.Broadcast identity and social work

4.Social Work and Iwi Social Services: an historical approach

5.Wahi rangahau: Places of inquiry

6.Is Talkback Radio Social Work?

7.Fields of light, fields of pain: small group work in social work education in Aotearoa/ New Zealand
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Papers of Contest

Papers of Contest
Peter Cleave
ISBN
978-1-877229-21-3
Campus Press
26 Sycamore Crescent
Palmerston North

Introduction

The theme of this collection of papers is contest. There is a challenge in each paper.

In the first paper conventional research is challenged with an idea of indigenous modes of inquiry.

The next paper looks at confrontational theatre and film in the 1990s.

The discussion of Francis Pound and Wystan Curnow considers images, symbols and the art of a place, a country, I suppose.

The review of Martin Blythe's book involves several of the themes so far considered as well as others and tries to describe an exciting analysis.

The consideration of the native, the outlaw and the frontier widens the perspective of the collection.

The rest of the papers in the collection take the idea of contest into different areas.

The discussion of Suzie Cato takes the discussion into mainstream media in Aotearoa/New Zealand.

By contrast the next article looks at work with perhaps more limited but nonetheless highly critical audiences and the construction of or the playing with a notion of the Pakeha-Maori.

The final paper is a consideration of the grotesque. This raises a number of questions that are left hanging and that, I suppose, is what happens in a collection with the theme of contest,

Peter Cleave

Contents

1.Wahi rangahau: places of inquiry

2.Native voice: 1981 and all that

3.Francis Pound: History, art and the semi colon

4.A review of Martin Blythe

5.Native, outlaw and frontier myth

6.Suzie Cato says 'Kia ora...'

7.Negotiating and constructing the Pakeha-Maori in 'The Piano', 'Monday's Warriors' and elsewhere

8.The projection of the grotesque; Maori and Pakeha-Maori in 'The Piano' and the construction of the ignoble savage in Aotearoa
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Papers

Papers to Conference
Peter Cleave,
Campus Press
2007
35.00 NZ
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Song for the Centre: Saw You

Saw You, composed and performed by Peter Cleave


公主小妹 Ep1 吴尊 张韶涵 晨亦儒 胡宇崴 利昂霖 飛輪海 飞轮海 Fahrenheit 爱上公主小妹 愛上公主小妹 Romantic Princess Wu Chun Angela

Good Night Blue

Good Night Blue composed and performed by Peter Cleave