Monday, October 27, 2008

Isis, the days of the voles, Part Three

Vegas

On the plane from New York to Los Angeles the acrobats were talking their own private language. It wasn't exactly a language alhough they both spoke several. It was a mix of what people call body language, expressions which they understood between themselves and he odd word or phrase from this language or that. What made it quite unusual was that they spoke in clipped lines, spoken notations from this language or that.

They shared a lot between themselves and nothing with others. Only they really knew why they had left North Oxford and England. Why they were in America. Why they were going to Vegas. And why they were not telling anyone else.

As far as they were concerned they had the plan within the plan.The last secret. Between the two of them. Always. They had come up against a lot of circus entrpreneurs who had been wily, unsavoury, downright wicked even. In fact the shady front of house and the dodgy ringmaster were par for the course, a occupational hazard for an acrobat.

In Bogota it was hot.

Juan, the Man on the Ground, the man known as Do-the-math trained in a park. It was humid enough for him to have difficulty seeing with the sweat in his eyes.

He thought of the other man based in Bogota. The man sitting by the cool fountain. Sweaty as he was he did not want to trade places. Animals made him nervous. Living in a zoo? Not for him. He liked to control, to know numbers, to count and to control what he had counted.

Soon, he knew the call would be soon.

He counted press-ups.

Juan lived in a world which was constantly being de-centred. Julio's systemm of cutouts meant that he was always shifting. He'd got to know Julio years before in Guatemala when a group of them worked together. Most of that group were now dead and Julio was the one who had made the money.

Juan had persisted but at the cost of living in places that he did not like. He had a lover in the caribbean. His family were in Miami. He'd forgotten where he was meant to live.

The decision was made to leave stencils at key points along the river, Little messages that only Esme, Bella, Leo, Simon Two and the Tramp understood.
This was a way of showing who was around and the usual suspects as Simon Two called them were well stencilled- Sam, Simon, the Don, the Tramp...

Simon Lodge himself was not the one to figure out that the twins had left the country. Jacques, another Roma person, saw them at Heathrow airport. He had been working the crowd, looking for loose bags, anything to turn a quid whe he saw his relations in the distance acccompanied by two men and about to board a plane.

Jacques had a number of functions at the airport or in crowded places like railway stations and being a pickpocket was the main beard. He saw things that other people did not, made connections that seemed unlikely until he described meetings he had seen between the strangest of bedfellows.

Not wanting to be compromised, the pickpocket kept quiet at the time but let people know later and within two days the Roma of North Oxford were building a picture which had the teenagers in another country.

But Simon did find out that they might have gone to America. He went to Heathrow and met the pickpocket. Simon established that the acrobats had been walking to a stand where America bound tickets were dealt with.

And the racing and the chasing went on. It was 3am in Los Angeles.Outsde a church in the barrio a man went to ground and died. Knifed.

The phone rang in Bogota. It was picked up in the marsupial hut.

Certain things on the ground were being cleared up, prepared for the action that was to come.

The Man by the Fountain thought about ringing Juan, the Man on the Ground.

He walked to the monkey cage.

At thirty two Juan had the body of a twenty two year old.

Juan was solo, his partner had gone two years earlier. She disappeared and he had never been able to find out where she went.

He liked any sports with numbers and statistics hat meant that he would follow any sport at all. He could talk American baseball all night.
Juan liked Bruce Lee films.

He preferred motorbikes to cars. Bush track riding was his specialty. Juan liked the unpredictable aspect, no even surfaces, no assumptions at all. Reactions made in the moment.

Denim and leather were his favorite fabrics. Jeans and fairly heavy leather. With light boots, boots like running shoes. Juan could not see why people used heavy boots. The slowed you down and made movement cumbersome.

Juan's best colours were blue and white. He liked the challenge of his job which involved him walking through airports and bus stations and not sticking out. That meant that he could wear any shade of clothing and look comfortable in it. Brights in Mexico City. Subdued colours in Paddington Station.

The hawk was his favorite bird. He liked the way could hover and wait, and wait for the longest time before moving. Juan also like the way the hawk could move so quickly once its mind was made up and the target determined.

He liked reruns of films on television such as Fast and furious but not Tokyo Drift. This was partly because his world was a Latin American one. South America, some of the Caribbean and some cities with big Hispanic populations in the USA.

He was introspective with a compulsive need to count things. He was like a sea diver with big lung capacity, he could stay still under severe pressure, weigh things up and then take decisive action.

At school he was good at tennis and of course maths. His nickname which had stuck at least in some quarters was 'Do-the-math'. The teachersleft him to it at the back of the class. There was always something about his isolation, it was not to be taken lightly by others.

His schoolmates did not pay too much attention to him.That suited Juan. He learned early that he could fit right in and plan something way outside his immediate circumstances.

Simon called his Dad, the retired rock star, in Los Angeles. Paullie Lodge was, of course, on the freeway. He took the call on his mobile without pulling over which would have been impossible anyway. Not that Paullie liked to take precautions. He'd joined up. Paullie was American now and by that he meant that aggresssion beat discretion hands down.

Paullie had swished silver hair and a tan. He looked, in a George Hamilton kind of a way like a fit, mature man. At forty eight he could have been someone's uncle on a day time American soap.

He had a bit to do with a sister who'd moved to Australia but Simon was his family really, Simon and Sam. He liked Sam and thought she would do well in the States. In fact he had plans for her should the couple decide to join him there.

Paullie liked soccer which he did not get much of in the States. He'd never taken to gridiron or baseball but he was usually getting up in the early afternoon anyway. Sport was something that he'd left in England.

He liked the odd landscape painter but was cynical about art markets. He'd seen too many jack ups, too many inflated reputations and inflated prices. He liked drawings and lithographs.

His favourite car was of course the Stutz bearcat. For some reason he had rejected English cars. A Bentley seemed to him now like a curiosity, interesting but not to be taken seriously.

He could not dress like a star of the seventies any more so he settled for loose chinos and guccis. Very light leather jackets, dark but easy to sling around were part of Paullie's style.

Purple was his favorite colour. But mostly he settled, these days, for pastel shades, very flat hues that sat in the background of some chrome chairs hung with black leather.

When it came to animals Paullie liked deer. It was probably due to the toons he watched as a child. Whatever, he was always put at ease by deer and had the odd linocut featuring them in his flat.

CSI Miami was his favorite television show. He liked the light and the pastel colours that the camera picked up. He like people being cool and not losing it. He likes the water so close to the buildings.

Paullie's moods were steady and he had a sense of humour. Anger really was not his thing. He's seen too many breakdowns spun on into destruction by rage.

At school he was good at art. He had a tidy pen and a wicked wit which made for minimal and sometimes surprising cartoons. A bit of a lost art now but occasionally he'd do something on a napkin and surprise people.

He had a quick wit respected by his schoolmates. He could always organise people and that helped him later on as he got his band into shape and then over the years of recording and touring.

So Paullie sat back in the Stutz, moved from the outside into the middle lane and told Simon to go ahead. He might have even said, 'Shoot'. In fact he welcomed a call from Simon, it broke the tedium and, when he thought about it America, incredible as it might seem, had become a tad boring for him.

Simon described the Trapeze Twins and their disappearance. The idea that they might be in America. At this stage it was a mattter that Simon had to deal with in England. The thing now was the next step, Simon didn't have the faintest...

Paullie resorted to shrinkspeak which he sometimes did when he, also, did not have a clue. Look at those close to the Trapezoids he said. As with broke marriages and domestic murders those closest usually had the answers. CAF, Condider All Factors, Establish Priorities for which he'd forgotten the acronym if there was one but of course there was one.

This was problem solving on the freeway in Los Angeles. There had to be an acronym, a code to unlock and then solve any given problem. The first thing, thought Paullie, was to define the problem itself.

In the country at the edge of the Caucasus a woman in her late forties was crossing a street.

A car screeched to a halt beside her. She whirlrd around and began to run. But a man with a beard ran at her from behind, caught up to her and bundled her back towrds the car.

Two men jumped out and grabbed her forcing her into the back seat between them.

The insurance package is in hand they told the Man by the Fountain later that night on the phone to Bogota.

The woman's name was Vera and she was in her early fifties and had class and elegance.

Vera liked going to art galleries and reading good books. She liked reading about fine wines and liqueurs, especially of the French kind.Vera also had a passing knowledge of architecture.

She liked the ballet. Dance was her sport. And playing the cello. This meant that expeditions to the theatre were loaded with things Vera knew about which made her, in turn, good company.

Her favourite painter was Turner. In various ways Vera was an Anglophile. Like a lot of people educated in Russia, Vera had a taste for things European.

Vera did not like cars and preferred trains. Well appointed carriages for good long trips to see things and people that mattered. Vera had been on the great train rides of Europe and to the East as well.

Vera was a Russian bluestocking when it came to dress.High sweaters with cheekbones just as high. Flat heels interspersed with high heels when it suited her.

Red and silver were her favorite colours. Something of a Cossack at heart she ventured to herself but really Vera was a pacifist. And a socialist in her own way.

Vera liked foxes. She could not say why that was but it may have been that hey were survivors in a difficult world. And they looked good, especially in snow. And they were very quick

Vera liked watching dance on the television and not much else. Television was a suspect media she thought, always used by newsreaders to push political points of view.

At school she was good at mathematics and formal logic. Vera was good at languages as well and Vera saw languages as a means to an end whereas she really enjoyed maths and logic. Sports were not her thing but she played a good game of tennis.

Vera had a wry sense of humour. She'd needed it after she took up with a gypsy and became alienated from her family. Having a child out of wedlock hadnt helped. Vera was, of course, the mother of one of the twins.

Being a retired rock star in California had its moments. Paullie had developed a personality which made it diffficult to recognise him as the person who left the UK. Paullie was rich.

But Paullie was usually bored. He liked America and it put up with him. His band had done well and then broken up but not before some of their music had become the theme tune in a daily soap. Paul did nothing but live off royalties really. Two of the band had died fron drug overdoses and a manager had gone through natural causes but Paullie and two others remained to pick up the cheques and spend them.

Out of necessity, in the bands early years in Reading Paullie had got used to living frugally. He kept records of all his spending in a small notebook where he once also kept records of sexual encounters. Long story short, Paullie had invested and then retired in America.

In the mid West a senator was campaigning. His name was Jake Stephens. They said he was a born politician. He smiled as though he'd been taught in a television charm school, as though he'd been a child actor.

At fifty eight Jake Stephens was remarkable. Tuned and tanned he played a useful round of golf and kept in shape. They liked Jake's smile in the clubhouse where he shook hands and kept things light.

He had three children and Giselle, a toothy wife who seemed to be there for photo opportunities but not for much else. In fact she did a lot in the background and it was impossible for people to tell whether she was flirting or scheming.

Gridiron was Jake's passion. He liked most American sports but the Superbowl was the high point of his sports year. He wanted to be part of it in some way some day.

Jake liked Norman Rockwell paintings. One day he'd like to retire with Giselle at his side to a farm somewhere in the mid-west. After he'd done it, after the big one...

Chrysler was Jake's kind of car. Japanese cars were the elephant in the room and he did not talk about them. You could sit in a Chrysler and feel at home he thought.

Jake liked blazers but he was as prone to sharp suits as the next politician. He had a silky wave to his hair which he had used to advantage again and again in campaigns.

Blue was his best colour. It stood for the political hue he liked and he could not get it out of his system. He was blue. All his mental images, all of his visualisations were against a blue background.

Jake liked buffalo. He liked prairies and pretty well everything in them. That included gophers and big skies. He liked big game parks and had taken lots of photo opportunities when on senatorial jaunts in Africa.

Jake liked business television. He like the urgency of it all. He was an adrenalin junkie. Stocks and shares racing up and down were his kind of thing. To say he was a political creature was not to overstate things. There was nothing else.

He really did not have time for moods. He could tell you in a monotone what others might shriek. He never broke down. There was always an upside, something to be pulled out of a fire, a silver lining in any cloud. And this was his job. And he was alright at it.

At school he was good at civics. He knew all of the Presidents that there had been and he could imagine himself as any of them, some rather more than others but he walked with them all in his mind.

He was into all kinds of committees. His schoolmates knew he was good at the committee stuff and left him to it. He'd become an expert at being on a committee but never acknowledging it. He recognised that it was better if people thought you'd been chosen rather than schemed to get something.

Paullie knew people, knew who they were. He had what people call a photographic memory. He remembered faces from television, what people were wearing. That type of thing. After his fling with Simon's mum who was doing Tripos at the time Paullie never partnered seriously: he was a serious serial dater for a while and then got bored.

So Paullie seemed to have all the luck and then none. He and Simon got along automatically. Simon's mum had forgotten about him. The Don hated him on sight as he did a lot of people in their age group, especially those who had made it and left the country. Why hadn't he put up with it all in England like everyone else?

There were stirrings in the country near the Caucasus about the mother of the twin being held. Vera was a known person, her family had connections and were kown to use them.

Time was passing, people were getting nervous.

This was a country effectively without law except for those who chose to make it.

The word went out that his was going to be a long haul and that tVera would be well treated. Because of the espect in which her captors were held this was accepted.

Paullie always treated America as a village, as a place he understood. This was partly an effort to stay sane in a very strange place but given the people he knew and the years he'd spent on the road in the states there was something in it.

There was someone he could call on in most cities. Calling in was easy for Paullie, leaving not so smooth. People liked him and he liked to party, not so much these days but his reputation went before him and was apt to hold him up. Now he continued to party long but the party hard bit had been reduced to no drugs but some and sometimes some considerable alcohol. Once on the road he never varied from water.

And because he liked to drive rather than fly part of leaving was sobering up. This meant that the exit strategy took time before its execution. He had built some kind of a plan around that. Long breakfasts, then a last nap, then coffee and a walk.

And there was something he knew about most cities. The airport, the CBD, how to get on the freeway. But he knew the clubs as well, where to party al night long after a gig. And the netwoks that went with those clubs, the bouncers, the club managers, the performers and some of the regulars.

Enough, he reckoned, to get by on.

Julio, the man by the fountain in Bogota got up and walked about. The zoo was around five square kilometres. But there were groves and cul de sacs and funny little maze like paths that made it time consuming to walk around and hard to find your way around, at least at first.

He had constructed a small zoo beginning with a collection of birds and adding more creaturs over a period of about five years.He had plans for expansion into aquariums and he was working on these plans when he was not involved in the present project.

His chair by the fountain was more or less in the middle of all this.

Julio tried not to be in the middle of things.He specialised in cutouts, ways i which links between people could not be traced. He had direct relationships with few people. With Juan he insisted on changes in cellphones, different places for Juan to stay in Colombia and around the world. With the people in the Caucasus there were similar arrangements.

The Tramp started to collect the stencils. Where he put them Esme and Bella did not know. It annoyed them. There was all the work involved and then there were the messages left up and down the Isis. These messsages were being rephrased and changed by the Tramp, of all people.

And then there was the question as to why the Tramp might want to steal their stencils and wreck their messages. Bella thought there was a additional question as to who the Tramp really was.

From Edmond, the Tramp's point of view Esme and Bela were nuisances. They were on the riverbank more than other people and so it seemed like they were in his face all the time. He did his best some days to queer theirr pitch, taking heir silly stencils which annoyed him and putting hem in a place that they would never find.

The riverbank was a kind of asylum for him. There was his past which he tried not to think about, there was the riverbank and there was no future or at least none that he wanted to think about.

He had thoughts about Simon and his mother that referred back to his past and he tried not to think about that. Same with Paullie. The Don he wondered about. There was something curious there...

Giselle, like Agnes was remarkably attractive in her late forties. She had a way with fashion and style which drew people to her.She had a smile and a walk which made for an effect.

Jake was her partner but it was a complex situation. Giselle did the thinking. Jake acted out on the political stage. A to where he went, what he did and what he stood for Giselle had as good or better idea than anyone else including and especially Jake.

Giselle liked fashion shows and Openings. Any Opening would do but film premieres were her specialty. Giselle liked it when people were at their best and there were people watching and attendants like waiters and valets.

Giselle liked a Colombian artist who painted larger people. She thought he captured America or at least something of it that she could recognise. Giselle spoke Spanish and thought that to survive in the States politically this was important.

Giselle liked cars of state, limousines. American limousines. She liked Lear jets and used them when she could. Giselle liked to stay in five star hotels, places where she could meet people who mattered.

Brand names featured high on Giselle's dress lists. She was a walking designer label. This was especially important when she appeared beside Jake on podiums and platforms around the country but it was also part of her own radar for survival, to dress, to win, to kill.

Giselle's favorite colours were blue, black and white. Her political interests were extremely right wing and she knew people who were much more extreme. Giselle classed herself as a republican moderate.

Giselle liked cheetahs. All forms of big cats. Especially fast cats. Giselle had been photographed with some when she went with Jake to some of the big game parks in Africa.

Giselle watched reruns of soaps like Dallas on her televisions. That made her a bit of a throwback but she was unapologetic. This was the way Giselle saw life- families and power, power and families.

At school Giselle had made a study of the prom. And cheerleading. In a sense she had graduated in the latter. Giselle could encourage but she could lead as well.

Knowing an opponent's weakness was the stuff of politics and being able to deal to that weakness with himour was one of Giselle's strengths. She would sit with Jake's speechwriters and help with oneliners and gags.

Paullie travelled from Los Angeles to Vegas. By Stutz.

Simon figured that Paullie might have something about the closest person always having some kind of answer. There had to be an explanation for why the twins had gone to America.

He went back to the Roma leader. He went back to the Job Sheet. More yellow slips. He went back to Sam. There had to be soneone in North Oxford who knew something. Did the Trapezoids, as Paullie so cunningly called them, like American junk food?

Was the solution a simple one? Had North Oxford been a tad too stable for them? Were they threatened by some Central European custom like arranged mariage thought Simon knowing nothing at all about the subject at hand but feeling wise with all his figuring.

Thinking about his world Simon reflected on being caught between his mother and Sam. All in all he thought it worked out well. They were such different people and he got different things out of each of them. Paullie was a great help to Simon but he found the Don a real pain sometimes. The Tramp was an odd bod and Simon often thought he was a sad, tragic figure. And every time he turned around these days he came across those schoolgirls...

Sam thought she could talk this through. Simon walked with her to the Broad and left her to it, the task of gossipping to the passing Dons, the best minds in the world were there and if they thought she was too cute for words then so much the better for a good chat.

The helicopter rose from the pad on top of the hotel. Vegas was red and without dust in the early morning. As far as could be seen there was a fine, clear air, a magic to look at.

It was reconnaisance ordered by the man by the fountain getting ready for the arrival ofJuan, the man on the ground. Juan was not to be interfered with when he arrived. The instructions were explicit and made sure that no-one got a look at him.

The report back to Bogota said Go.

Back on the banks of the Isis Esme and Bella continued their search for the identity of the Tramp. It seemed he was from a good family. And he seemed intelligent. So why was he without means in North Oxford?

Why was he a tramp and what was his name? And why did he do those silly physical jerks, kicking up dirt and jumping around?

And what had drawn him back to the banks of the Isis? Had he returned to halcyon days of his youth at college?

Back in America Paullie tried to sort things out. Acrobats? Why would someone want acrobats in America? To entertain of course. To tumble from point to point.

To distract. If so to distract from what? Or from whom?

To do things on high. To defy gravity for a moment and make the hearts of the watchers skip a beat.

Why from North Oxford? It meant or it probably meant they spoke English.

Where to in the Americas? To a place where people were entertained. Las Vegas. Paullie was certain. Had to be Vegas.

The men in the country at the edge of the Caucasus took the woman they had kidnapped to a cottage in the country. Vera made herself at home, something she could do in most environments.

One called Bogota and said that the insurance package was now safe and secure. He stood in a cold hallway with his coat past his collar as he talked to the man in the tropical rainforest.

The call was taken at a booth near the eel weir. Julio took sips from a fruit drink while he carried on feeding with his other hand. He liked the way the eels thrashed and fought over the food he threw to them.

Esme and Bella found a way into the Boathouse. Really it was just a matter of getting into one of the boats and listening to what was happening above. The hardest thing was not to fall asleep.

It was restful, time off the bikes and out of the wind.

Theirs was a professional interest. They just wanted to know about the Private Detective Business- they always spoke of it as though each word in the phrase was capitalised.

It was a long summer break and Esme and Bella had all the time in the world to plan and think. They had their own missions; to find the identity of the Tramp, to find out what Sam and Simon were up to...

In Bogota there was a meeting between the two men, the one who owned the zoo and the one that would be going into the field. Julio and Juan had coffee by the fountain and then walked, taking their time, through the zoo.

As they walked past the cages they went over and over the possibilities. The animals made sounds at the stranger. Juan took no notice he was listening intently to Julio.

The were very different people. Julio was at home in command. Juan was at home executing a plan, preferably on his own but with reference back to a leader who understood. They had complete confidence in one another.

Back in Oxford Simon messsed about in the boatshed and went for walks trying to come to terms with all this, in a desultory mannner. He saw the usual people.

Simon did try to stay close to his pattern of indolence just really for something to do. Flirted with elevenses even but then he had problems with the afternoons. Several sherries before lunch just seemed to call forth his old enemy: work. In this case the effort involved in working to stay awake, in trying to make sense with a foggy mind...

All a bit much really.

At one stage, late at night, Simon passed the Tramp who, once again, was kicking up dirt on the path from the Boathouse to the Joiner's Arms. To keep himself warm through activity Simon supposed. Tricky, staying warm in that line of operations Simon thought.

He often saw the Tramp sitting outside the pub on summmer's nights and waiting for something to happen. Simon could relate to that. He wondered when the case would gain some momentum.

Anything that flies I can handle said the man on the ground in Bogata. The Lear jet was in the skies over Colombia.

Practice.

The Day was in his mind now. He was engaged. All he could think about were the hows, how to get from A to B, how to fly without drawing attention.

There was light drizzle so far as he could see across the Columbian land.It suited him as he needed that kind of challenge, flying half blind.

He measured distances in his mind.

'Voles for tea?' Asked the Aussie. His name was David Walker.

Simon started. He'd drifted off into the sleepy almost narcoleptic High Summmer dusk of North Oxford. He needed waking though. All he could do lately was to sleep and drift away.

'Sling 'em on the barbie dya reckon Sport?' Responded Simon glad to snap out of The Case.

David Walker started on and on in his tedious Australian whine about The Case of the Exploding Vole and Simon had to admit that he had something. Other than the fact that he had once competed for the attention of Sam.

It was to do with oil. And gas. One group against another on the other side of the Caucasus and then all the way down to Iraq and Iran. Control of pipelines, really, was what it was all about. Control of the information about the pipelines actually.

More a matter of disguising information so that it never seemed to be about the pipelines. This sometimes meant murdering journalists.

It also meant keeping a presence in the area. Troops in Iraq, Turkey or Afganistan.

Keeping the troops in the area sometimes meant doing someone a big favour and this is where the man in Bogota came in. The politics had to be right. People had to keep promises and vote so that those troops were in place. Without the politics things fell apart.

There had to be a way to fool the Tramp reckoned Esme. He as a right pain actually, always messing around withy the signs of her group. For no apparent reason...

Who was he?

The Don wondered what Simon had got himself into this time. Then he noticed an interesting looking chap on the far side of the bar. Eventually though he had a short, sharp talk to Simon over a guiness making it clear that problems do not solve themselves, waiting for solutions to pop into your mind was not really how to do things, if you really wanted to put the polish on the boot then you had to set to, turn to, whatever the expression and look like you were working at least.

The Don's held Simon in some regard. Sam liked Simon so the Don put up with her. He found Paullie to be insufferably lightweight. His college and his club were the main things in his life and he liked the world of gossip and intrigue that he found there. Some of this riverbank business was silly- the Tramp and the schoolgirls. But the Isis was where he found himself and that was that.

So they did, Simon and Sam, what they always did. They went home and started work. Simon hung the Job Sheet up and sat directly in front of it a low table beside him with pins, small squares of yellow paper and the like on it while Sam went about things behind him.

Other things looming large in Sam's life were thing like salts and oils. If she had time she would write a book about one or the other. That would get her off the benefit too. The world had been wrecked by canola oil, salts were being corrupted en route to the shops.

What kind of diet would the acrobats be forced to eat in America?

Sam lived in the middle of many different people. There was Simon and here was his mother. Simon listened to her and his mother, quite simply, did not. The Don put up with her and then there were the cast of characters on the riverbank. The Tramp, the schoolgirls. All occupational hazards she supposed. At least the Isis was a good place to think.









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Sunday, October 26, 2008

Isis: the days of the voles, Part Two

Along the river



Back on the path by the river Esme and Bella waited for a boy who knew about stencils. They were not far from the boathouse. Sam came out and did Tai Chi to some Rasta music. Esme and Bella rolled their eyes at one another. Esme got out her camera as if to take a photo of Sam but Bella shook her head and the camera went back into Esme's pocket as fast as it had come out.

At fourteen Bella loked older. Sixteen at least. Sometimes she made out she was older for effect but mostly Bella was dead natural. Bela was a class leader wherever she found herself in a class.

Bella was close to her mother. And to her little brother and her chums who included Esme. Bella was loyal and people liked this about her. Bella was around five foot six ahile Esme was a little taller. They were taller than Sam by a long way and were pipping some of the men like the Don.

Bella liked equestrian sports including dressage activities. Her mother had encouraged this. Bella had taken things further by becoming a leader of a group of young people involved with horses.

She liked the sculptor, Henry Moore. Bella liked the comfort of the big, solid shapes. One day she wouldn't mind having a go at sculpture.

Bella liked Vauxhalls. She was a bit of an expert on English cars especially those coming out of Cowley. But there was something solid about Vauxhalls and besides she liked the name itself.

She liked to dress in slacks and scarves. Skirts were not really her thing.
Orange and yellow were Bella's colours. Yellow slacks, black top and an orange scarf, that was Bella.

Of course Bella liked horses but she had become something of an expert on voles. The latter was by way of becoming an expert on anything to do with the river Isis and the life on it. If there was a project to do at school on the river then Bella was for it.

The kinds of television programmes Bella liked were ones like Heartbeat and Emmerdale Farm. Dependable communities with plots she could, at least most of the time, understand and predict.

Bella's moods were always bright. At the same time she could assess the down side of things. Bella knew that the world was not always positive. But her attitude meant that she could face anything.

At school she was good at science. She liked the arts but did not do all that well at them. She like listening to people who knew things about literature and paintings.

Her schoolmates found her an asset in class where she would stand up to the teachers. Bella did not know why she argued with people in authority and her tone was always reasonable but she would have a go.

Esme was fourteen as well and looked about that. She liked people her own age and did not like people who were snobbish about their age like a older brother she could mention.

Esme was close to father and her Mum. Adults lived in a very funny world though. Who would want to grow up?

Hockey was Esme's sport although she thought she might have a go at soccer next year. Right Back was her position. Some of her best mates played hockey though.

In art classes Esme liked design. She could make all sorts of interesting amulets and necklaces which she gave to her chums. She liked architecture, not as something she wanted to do but as something she respected and thought she might understand someday.

Esme liked BMWs. She did not like Japanese cars or, for that matter American cars much. She liked the upholstered feel of a a Beemer. She was taking driving lessons but had not yet got to using the clutch in a manual.


Esme dressed like a bit of an EMO. Black T shirt and black slacks but sometimes with red shoes. When she was not in uniform. Esme hated her uniform but wore it in such a way as to make it her own. The collar just upturned, the shoes just buffed...

Her best colours were green and red.

Esme liked horses and had one for a bit. Its name was Xavier. It had a white splash on a dark coat across the face.

On television Esme liked the OC. She liked the good looks of the Californians and the intrigues on the show. And the houses.

While she was reflective she was outgoing when she thought it was necessary.

At school she was good at driving. And English and Civics.

Her schoolmates thought she could be fun. And they respected her.

The cockatoos ran loose in the private zoo in Bogata. The owner strolled aimlessly making sounds to the cockatoos and throwing a litle corn around. The waiting was not getting to him. There were plenty of distractions in his surroundings.

Coming back to work on The Present Case Simon and Samantha decided to have lunch.

Samantha does not cook Simon made them both lunch. On the other hand Sam knows lots about food and kept up a commmentary on salads. What frauds restaurant salads were and on.

Then it was the Job Sheet.Half the job really Simon always told himself. He'd invented a way of doing this which was a to suspent a sheet, as in a bed sheet hung from the half landing with bits of paper stuck on to it with pins. Sam grizzled about how tedious and time consuming this all was but it got Simon's juices going and nothing suited him more that a sheeet covered in notes receipts, bus tickets or whatever he could find to pin on it.

This time he had questions on yellow paper asking:
Who approached the twins in Oxford?
Or was it their idea to go?
How will they be found? Clothes? Hair? Behaviour? What sticks out?
And so on.

Making friends with twins is usually a stretch.

If they are sort of pretending to be twins its harder.

If you are as foreign as an American in Oxford then its even harder still. People watch you.

The hunters had decided to aproach the twins in a club.

The path was wet and greasy. Esme and Bella took photos with Esme's new camera. As they came out of the river walk and onto the Abingdon road they saw two men wearing sunglasses and black tee shirts. Passing them they caught an American accent. 'Get Shorty!', said Bella and Esme, ducking behind her so that she could not be seen took two instant polaroids of the men.

Samantha loved to watch Simon list things about the Case. It gave the essential facts on which she might embroider. And she did just that. A spray of words. She was the Plotmaster, she figured out the big pictures while Simon grappled with the detail. Simon heard bits of it, used it, fed off it even.

So the afternoon went. Summer afternoons in North Oxford are delicious things. And they last until the late early evening by which time Simon's brain was racing and Sam was getting hoarse.

By five in fact, with the Job Sheet well and truly started they were both more than ready for a pint. One last look at the Sheet from about ten feet away to get the big picture, a bit of a tidy up and out the door.

Almost out the door in fact. Simon was stepping out and about to close the door when he went back and wrote question on a yellow slip: how far back does this story go? Pinning this on the Job Sheet he joined Sam outside and they walked to the pub.

In a club in Jericho. Late. The Trapeze Twins were doing what they mostly did when not working. Partying.The club was in Jericho.

This guy kept finding a way to sit next to them. The couldn't figure which way he swung. Ken or Barbie. On the trapeze or one out. Finally Benjamin had said 'Look man, do you want to dance with Iris?'

At that the guy laughed and said yes who wouldn't but let me introduce myself and have I got a deal for the both of you.

Or that's how it seemed to the Trapeze Twins to have happpened when they thought about it later. Benjamin and Iris were their English names.They had both been out of it. In fact their first thought had been that Ken, as he inroduced himself to be, was trying to sell them drugs.

Esme practised taking pictures on the Tramp as he lay sleeping. Edmond, for that was his name, looked at least ten years older than his four score years and eight. His face was lined and gaunt and he had a slight stoop. Too many hedges had been slept under for there not to be an effect.

He had, ostensibly, no family, his wife and children a distant memory after an equally distant trauma which he could now only half remember. He'd spent time in institutions, He'd had shock treatment, he'd had medication for a long time. At night he liked to move his tongue around in his mouth. This was freedom. He could remember the effects of medication and treatment that made his tongue thick.

In sports he liked the Hunt but that too was more of a memory like a dream of a faraway time.

In the arts he liked Mondrian. It was the sense of order that he liked. Everything in its own partition. You could see what colours were where.

Edmond's car of choice was an Aston Martin. It went with his drink of choice which was Moet. And a long time between or since drinks it had been.

If he had a choice he would dress a bit like Prince Charles. As he did not have a choice he dressed like other tramps. Used and more used clothing, anything that would hold the warmth and yet not be too heavy to carry.

Edmond's favorite colour was blue. He did not know why. He could remember times after shock treatment when all he could see seemed tinged with blue. Even now, in his freedom, he could close his eyes and make the world go like that.

He liked horses but also, for some reason which he'd forgotten, ferrets. He must have had a good time at some stage and ferrets must have been around. Edmond could not summon up what or when that might have been.

Sunday Theatre was his favourite television show but it had been years since he'd watched it. He had his special places by the river where he liked to sit of an evening now. Quiet, peaceful places. Better than being medicated for bed and sitting in a dorm with people shouting and carrying on and trying to watch Sunday Bloody Theatre.

He was withdrawn in his moods and sometimes now he would not answer when people spoke to him. People on the riverbank knew him and would tolerate this kind of thing but over in Summertown it was different. He was actually more withdrawn there and more than a little frightened. In Summertown he was anxious, in Oxford itself Edmond was terrified.

Ar school he'd been good at his subjects, good across the board and very good at physics. Sometimes he'd find himself arguing away to himself and being quite impressed. It took him back to school.

He was popular amongst his schoolmates. People had liked and respected him in that faraway world before the trauma. Now he could only think of that as though it was another person. Now he lived for the riverbank. It was him and he was it.

Esme and Bella planned to use the polaroids of Edmond as he lay sleeping as a basis for their friend Rob to make stencils and these were ready for Rob who came by a few minutes later. Bella had spent a long time working on her art. She showed her work to Esme on the path. Leo and Simon Two, the undergraduates, came along. Simon Two was called that to distinguish him from Simon the Private Detective who was a subjest of the deepest mystery for Esme and her chums.

Bella was Esme's best mate and they were a very tight unit. Like Bella she was antagonistic towards the Tramp but she was fascinated in Edmond's origins. Esme thought here had to be reason for Edmond setting up residence on the riverbank. Esme thought there had to be some deeply hidden relationship with on or some of he other figures on the bank. Perhaps with Simon or his mother.

Like Bella Esme thought he Don was strange and that he drank too much. She thought Sam talked too much. But she was deeply taken with the idea of being a private detective and watched Simon attentively.

The man with the private zoo decided he needed sharks.It meant a great deal of expense with salt water and son. Perhaps he'd find an island or an isolated bit of coast and set up a shark pen.

As pretty well always, the first person Simon and Sam saw at the Joiner's Arms was the Don. 'Portrait of a Pickle,' muttered Samantha. Certainly he liked his wee dram without being anywhere near the border and certainly not north of it. 'Gay as a bee,' muttered back Simon as the Don pretended Samantha was not really in the room.

At forty seven Selwyn the Don was overweight and very unfit. Out of shape was too kind a phrase for the state of his body. He was not a tall man. It was basically a matter of too much to eat and drink, a lot of time spent indoors and next to no exercise.

He had no family save for an aunt in Chelsea who he visited sometimes. His parents had never known what to make of him and they both passed away early. He and his aunt had a tolerable relationship. They were both lonely and needed at least one friend.

He hated sports and even disliked games except for chess and even then that was an occasional preference. Conversation was his sport and he was good at it. Conversation always required, of course, someone to do it with and that meant the company at the Joiner's Arms.

Sometimes the company at the Joiner's Arms did not want to play his talk games though and this left him sitting on his own and drinking too much. And this meant that he could get all morbid and nasty to people like those on the other side of the bar. This had of course affected his popularity rating and made for a vicious circle in that people simply did not want to talk to him.

Van Gogh was his artist of choice.

He did not think of cars much but had fond memories of an Austen Seven.

Selwyn conformed to the obligatory dress of the Don. Shabby uit, loose tie, off white shirt and, of course, the scarf.

Grey and fawn were his colours of choice.

The raccoon was his favorite animal.

Selwyn liked quiz shows on television.

He was a depressive alcoholic and that explained his moods.

At school he was excellent in class except for Public Health.

His schoolmates gave him hell. He was not a rugger man.


The Guvnor as they called the publican raised his eyebrows in the background. The Don really pulled the Guvnor's chain, rang his bell. This made for conversations which ran into the corners and up the walls, The Gunvor, usualy standing behind the Don and out of his view would raise his eyebrows, shake his head and mimic the Don's effeminate mannerisms and generally, as he himself would say, create.

Sam would quietly mutter and text away to one side while our Don made grand conversational sweeps. Sometimes Sam sent texts to people farthest way at times like this. People like Paullie, Simon's dad who lived in Los Angeles. The slant on the Don that Sam took meant that people he was never likely to see had a fairly jaundiced idea of him.

Simon found all this madness diverting and useful. People humouring one another all over the shop. Nothing he could do. He could get on with being amiably vacant. Pleasant pint he found it actually.

Parakeets were shreiking. The man by the fountain drank a lime and water.It was hot in Bogota. He called one of his cutouts. This man in turn had the task of running the phone to certain people. He was in Venice.

He called a man in a country at the edge of the Caucasus.

Get that insurance package ready he said.

Going from the photograph of the two American men Esme and Bella did a stencil on a bit of wood and showed it to the Tramp. He wondered what hey had been doing on his patch, on his stretch of the river which was, of course, his home and advised them to show it to Simon.

Esme and Bella decided to do just that but in their own sweet time.

Samantha and Simon did pay attention to one another on the walk home. They walked past the Tramp who, as usual was at the beginning of the walway near the pub waiting for something to happen. They both liked walking beside the Isis which had a certain black allure to it at that time of the night. There was usually a bit of quiet action: punters drifting out of the dark and the splash of the odd vole or whatever.

And then they were home making love. And after that Sam was quiet and Simon ready for some new stuff to do in the morning. First things being at the beginning Simon went to the covered market to buy food. Sam did not shop but knew about shopping and where to go. Simon was a study in appplied helplessness when it came to shopping but he liked to get out on his bike and ride around Oxford, scarf flying.

In Bogota a man sat looking at the fountain playing in his yard. Some of the early moves, the preliminaries were coming into place.

Birds danced on the edge of the fountain.

Underneath a cat stretched.

A parrot went on and on in the background.

On the river path beside the Isis Esme showed the stencil to Leo and Simon Two, the undergraduates.Leo studied science and Simon Two the theatre. They all pondered the meaning of the stencil. Why were two strangers poking about where they did not belong on the banks of the Isis?

The thing was that North Oxford was a safe place. Tramps and academics felt safe in North Oxford. Lots of money and lots of eccentrics. The gypsy children were routinely sent up to the Summerhill shops, a mile or so up the road to buy things. Got them out of the layby. Young teenagers liked to roam. It was summer.

The two missing people, the Trapeze Twins as they were billed on Simon's Job Sheet, were not children or even teenagers but from what Simon could make out they were what he called specials. They were so focussed on trapeze work and the like that they evidently lived in a world of their own. They were like cultural treasures to the modern Roma, the layby people, whoever they were, so good were they as acrobats.

The Twins were not biologically related except in the most distant of ways.

And yet they had a wild streak according to those who knew them. Anything was possible with them.

But they had got lost on the local Roma leader's patch and he wanted to find them The acrobats were wanted for performance throughout the world, the wide world as well as in the camps of gypsies. They were in demand and money was involved.

Simon had a job figuring it out. One thing was that you did not, by and large, mess with the gypsies. Who would want to risk their wrath? Stealing gypsy acrobats? Not a smart move thought Simon. They connnected throughout Europe and the world. They knew things. A set up within a convoluted set up no doubt but it had to be sorted just the same.

The bait was presented as a contract, a deal. To work in America. In Vegas.

Big money, lots of frills in the contract. Winks. Nods.The twins bought it. Even the catches, the possible fish hooks which involved a quick and quiet disappearance from North Oxford and no publicity, no waves, the hunter said, in the States.

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Tuesday, October 21, 2008

Isis, the days of the voles, Part One

Isis: the days of the voles

by

Benjamin Drum




ISBN
978-0-9582939-0-7

puff books

26 Sycamore Crescent,
Palmerston North

Thanks to the team
at Warehouse Stationery,
Palmerston North


Bound by New Life Bookbindings
28 Avenue Rd,
Greenmeadows, Napier






Contents

1 Summertown

2 Along the river

3 Vegas

4 Clubs and cutouts

5 Nets

6 No nets















Summertown

























































They say that if you sit by the river long enough you will see the bodies of your enemies float by. Is that an old Chinese saying? Or was it meant to apply to the Isis? In flood with the punts awash and drifting. Flat with the sculls hissing along. Down at the Joiner's Arms feeling the first cool of night as the sun set on it or just waiting quietly, hoping for a glimpse of a vole, the Isis was always a river to sit by.

Our man Simon Lodge was doing exactly that, staring at the river as though it had something to tell him. Oxford does that to you. North Oxford is otherworldly. The dreaming spires have nothing on what the landscape especially the riverbanks do to you.

Lewis Carrol drew all sorts of pictures on picnics by the river but our man was thinking about a crime. Something that bit rather more than a childrens fantasy, something that was clearly for adults, certainly something without the veil of childhood.

People were missing. There was a ripple of hurt from this that got to a lot of other people. Simon, sat, figuring and wondering as the early evening came slowly to the Isis.

The panther snatched the morsel of meat and gulped it down. It prowled from side to side in its cage.The panther always seemed to be too big for its cage.

In this small private zoo the panther always seemed big anyway.

The man who had thrown the meat, the owner of the zoo, walked up a path and sat by a fountain. His name was Julio. His heart settled down and he began to plan his day. Small birds hopped around on the ground. They were the only free creatures in the area.

He picked up the phone.

It was quiet except for a contented, low purring sound from the panther.



At thirty nine Julio looked a little older, maybe in his early forties.

Julio had no family, no partners either. They slowed him down. They were, for Julio, redundant.

Julio's favourite sport was cockfighting. He went down to the village on a Friday night and sat with the smell of cheap wine and cigarillos and the noise of peasants barracking and watched the fights. It gave him a contrast to the almost complete control he exercised at home.

Julio liked the art of Salvador Dali. He liked the paintings of desert scenes with surprising things in them. He had one above his chair near the fountain in his private zoo. An original.

The kinds of car he liked most was a Porsche. He liked its being low slung with lots of power beneath the hood.

Julio's favorite clothes were shades and black silk shirts. He liked polished black leather shoes with elevated heels. And silver chains, not gold.

Regarding colours, Julio saw things in black, and white but he also liked kaleidoscopes of colour and he liked his peacocks flashing their tails.

His favorite animal was the panther but he had a great regard for all animals. Astoundingly for someone so cruel to humans he hated animals being maltreated.

Julio's favorite programme was the Sopranos but he thought that Tony was weak to see a shrink.

To say that Julio could be moody would be to understate things. His rages were legendary. But he could be cool as well.

At school he was good at biology.

He was feared by his schoolmates.

Esme rode her bicyle along the river path. The bells were already ringing at her school. Too much time texting her chum, Bella. She stood on the pedals as she went past the Boathouse.

Isis Investigations is situated in Summertown, North Oxford.There is no business reason for this. In North Oxford most people solve their own problems and then some belonging to other people. But our man Simon liked it. A nice place to think he said. And a nice place to live he supposed.

Simon Lodge had been glad to take the case because his girlfriend Sam was driving him mad. Sam was small, Jamaican and a chatterbox. Actually she was part Dalmation as well, on her mother's side.

Simon was a born listener really. Lazy people usually are and Simon is nothing if not indolent. Simon looked about his age which was twentynine, He was thinning a little on top and had just started to lose his youthful slimness. He wanted to be older, more assured, no question.

Simon's father was Paullie as far as he knew. He had no brothers or sisters. He had been bought up, so to speak, in College.

At Winchester Simon had played rugby. It had not been that much fun. But such as it was it was his sport and he could tell you things about rugger at he strangest times.

Simon's favourite artist was Picasso. He liked the blue period, especially paintings like the one of he woman ironing. The one where her body seemed to be stretched sdo that her arms were impossibly long. It was what life did to you thought Simon.

He liked jazzy little sports cars. Nothing better than zipping around the South in a jaunty little red number in High Summer. Nothing wrong with some solid sounds either.

Simon dressed like an undergraduate. Sloppy. But with his own sense of style, Nostalgic about ties he still wore his school tie at twenty nine and looked to be still doing so at fifty nine.

Grey and blue were his favorite colours. As long as the grey was not too dark and the blue of the Oxford kind.

Simon liked dogs. Especially dogs that could run. The loyalty of dogs was a big thing too, for Simon.

The best shows on television for Simon were mysteries like Bergerac. They snapped him out of his own issues and helped him to relax. He enjoyed trying to work out the perpetrators.

Simon was a dreamer but he could, if he occasion demanded be steady. He could be quite self absorbed but he could swing into action when required. And people trusted him and felt they could depend on him.

At school he was good at history. He liked trying to explain why things happen. He was alright at maths but did not stick at it.

His workmates loved him and hated his lack of organisation. He had a reasonable sense of humour without always trying to be the class wag. He had a way of fitting in, of making or allowing others around him to feel comfortable.

Sam ran things at Isis Investigations when Simon was not around. This was a bit of a stretch for all involved. People with things to solve were engaged in talk of a kind they'd not met before. Mind you, Sam got to meet new people. Thin on the ground though, thought Simon. Desperate measures and all.

The two of them were in Simon's loft in the Boatshed. More of a half landing actually but Sam had started calling it a loft and Simon had been too tired to steer her in any other direction. They loved it there. Handy to things but out of the way. People liked calling on them there.

A man was being chased in an American city.

He ran and ran.

And then he died, shot by the two chasing him.

The chasers vanished, fading into the night like cats.

The chasers faded back into view in a club later that night.

They were looking for work, the next job.

Turned out to be in England.

Samantha went on about the last case, the case of the murdered Pole. Gastonbeiters, people on the run, undercover intelligence people, CNN spies- this last a reference of some kind to deep cover journalism Simon reckoned- drugrunners, romance, death.

Sam looked like a teenager. It was the big eyes and the slight build perhaps. For twenty nine she was doing alright or at least that's what Simon thought. Herself she thought she could lose more weight but she knew that's what the television and media wanted her to think.

Coming from Peckham was a bit of a stumbling block in North Oxford. At least it might have been for most people. Not Sam. She could have been from Black Stump in the farther outback and Sam would have made it interesting.

Netball was her sport. She played centre. Even though Sam was very short she could jump. She seemed to levitate on court. And she was a good team player, certainly a good communicator.

Sam liked the French impressionists. She liked the way things were in soft focus. And she could put herself into the paintings and feel at home. She had hung some prints in the boatshed and Simon did not seem to mind.

Her favourite car was a mini. She liked the way they could zip in and out of traffic. The closeness to the ground was something else that she liked. You were not removed or detached from the speed at which you were going. You were in touch and that's how Sam liked things.

Sam dressed like a trainwreck. Everything was out of Oxfam. Big earrings, bright scarves, black leggings, never skirts. And dreads. And never, never any lipstick.

Her best colours were black, red and gold. She liked the bright markets of the Caribbean. And the music, especially the old stuff from the likes of Peter Tosh.

Sam liked cats, even big ones like lions. The smooth, slinkiness of the felines got to her. She also liked their speed and intensity.

Her favorite television shows were late night music ones. She was ready to slow down at that time. A glass of red wine, a desultory read and that was her for the day.

Sam had two moods, manic and more manic. Sam was an energy bunny, an output of force that never needed to be renewed. Simon was a good foil for her. Apart from being a good listener he was patient and he quite enjoyed the things she said.

At school she was good at English. She could write and she could listen or read and comprehend. And, of course, she could talk. But her teachers also said that she had a first rate analytical mind whatever that was.

Her schoolmates thought she was something of a nerd but they liked her style. Sam would take on any topic and they liked that But she could go on...

Samantha was actually responsible for the present case, at least for starting things off for Isis Investigations. She'd gone outside the boatshed and found an old woman crying by the river. It was just another day by the Isis. Those schoolgirls were both hanging about as usual. The one called Esme had given her a hairy look. The Tramp was around somewhere.

But once started the old lady would not stop. And so the case began. Two people were missing from the camp in the layby on the Banbury Road. A man and and woman in their mid twenties. Acrobats. Police not trusted. Gypsies in North Oxford. Enough said.

But Sam had kept asking Simon about it so that, taking the line of least resistance he'd gone out to the layby where the housetrucks and caravans were parked. He knew them and they him. They all went back a fair way together because, as Simon always told Sam, they knew things that other people do not know. And they never forgot.

And it was a good distance to ride and a good break from some of the occupational hazards for Simon in North Oxford. A bike ride in the fresh air beat being baled up by the Don and being regaled with stories of outrages in the annual common room meeting at college.

The chasers were out in the world now. Off the blocks. In the hunt. With instructions.

Looking for gypsies.

Finding the terrible tearaways was easy though. The layby out from North Oxford. Catching them was another story. The twins were fit.

Was there bait?

As Sam started work on The New Case he thought about the previous one. Long and short of the Case of the Murdered Pole was that Simon had some rare coins up front and an equally rare collection of jewelry at job's end as a fee. His to dispose of, of course, and that presented problems for him but there were rewards such as what these things were worth when shifted.

So Simon had made money on the murdered Pole. That didn't sound very nice but that is the way it was. In fact he and Sam had spent the best part of two months doing not a lot . Watching the Isis, going to the Oxford pubs, visiting friends at the colleges. Laying about and making the best of their luck.

He ventured as much to Sam. This bought forth a stream: the English upper class, North Oxford, people who Hunt, Marx and class. The oh so priveliged two-of-them. Luck?

Sorting out what the bait might be had been easy. The bait was life in the fast lane, drugs, America, anything to be out of Oxford and The South.

The bait was Vegas.

The hard bit had been how to present the bait..

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Sunday, October 05, 2008

Maori Unpacked, Glossary

Glossary
a, the possessive, of
a, personal article
aa, plural possessive
aha, what
aa hea, when, future
ahi, fire
aahua, manner particle meaning a little, a bit
ai, relative clause marker
anoo, intensifier, indeed, again
aaporo, apple
aata, manner particle meaning to proceed with care
au, personal article, I, me
E, address
e, by
e, future
e...ana, present continuous tense, -ing
ehara, not
eenaa, those, near the person spoken to
eenei, these, near the speaker
engari, but
eeraa, those, over there, away from the speaker and the person spoken to
haere, go
haerenga, journey
haramai, come, entry
he, indefinite article, a, some
hekenga, falling, descent
hea, where, when
hei, locative, to be at
hei te, at the, future continuous
hinengaro, mind
hinga, fall
hinu, oil
hoa, friend
hoe, spade
Hone, name, transliteration of John
huka, sugar
i, in, at
i, by
i te
i te mea
ia, he, she, it
inahoki, in as much as
inanahi, yesterday
ka, inceptive, tense marker
kaahore, negative
kahu, coat
kai, food
kaainga, village
kakau, handle
kao, negative
kaatahi, then
kati, close
katoa, all
kau, manner particle, just, quite
kau, cow
kaua, negative imperative, don't
kawa, sour
kawa, protocols (of the marae usually)
kee, manner particle meaning instead
kei, lest
kete, kit, bag
ki, to
ki te. if
kei, locative, in, at
kei te, present continuous, -ing
kia, to be, when, if
kia, as in kaahore anoo...kia
kiihai, negative, never
kiore, rat
ko, focus particle
koa, pleased
koe, personal article, you singular
kohumuhumu, gossip
kokona, corner
kooti, coat
kore, negative
korua, personal , you two
koutou, personal article, you, more than two
kua, perfect tense
kuaha, door
Kuini, Queen
kura, school
kuri, dog
maa, for
maaku, for me
mahi, work
mahia, passive of mahi, done
mai, directional
makariri, cold
manu, bird
maarama, moon
marae, courtyard in front of a meeting house
mau, catch
matenga, defeat
maatou, we, more than two
maaua, personal article we two
me, but, if
mena, if
mehe, if
mehemea, if
miraka, milk
moana, sea
mokemoke, lonely
na, positional, there, near the person spoken to
naa reira, therefore
naa te mea
naaku, by me
naana, by him, her
naana nei, by whom
nei, positional, here, near person speaking
ngaa, the, plural
noo, from
noo te mea, because
noo reira, therefore
noa iho, manner particles meaning just
noho, sit
nooku, mine
noona, of his hers, belonging to him or her
noonahea, when
nui, big
o, possessive, of
oo, possessive plural
ooku, mine- plural
ono, numeral, six
oona, his, referring to plural
ora, health
pa, village
paraoa, whale
patunga, killing, hitting
peehea, how
pango, black
pononga, servant
pootae, hat
raa, day
raakau, tree, stick
raaua personal article, they two
raatou, personal article, they, more than two
rawa, intensifier, very
rawa, as in kahore rawa, never indeed
reira, there
reka, sweet
reo, language
rima, numeral, five
ringaringa, hands
rironga, taking, abduction
roa, long
taenga, arrival
taha, side
tahi, numeral, one
tai, sea
Taamaki makau rau, Auckland
taana, his, hers
tane, husband
tangata, person
tapu, sacred
taa te mea, in as much as
taaua, personal article, you and I, we
taatou, personal article, you and I and others, we
te, singular, the
tee, never
teenei, this, near the speaker
teenaa, that, near the person spoken to
teeraa, that, over here, away from the speaker and the person spoken to
titiro, look
toki, axe
topa, chop
toru, numeral, three
tuu, stand
tuakana, elder sister or brother
tuupato, careful
tupuna, ancestor
ua, rain
urunga, pillow
urupa, graveyard
rua, numeral, two
waahanga, place
waho, outside
waka, vehicle- canoe, car, plane etc
waewae, foot
wahine, woman, wife
wai, who
wai, water
waiata, song
waihotia, command, Leave it!
wairua, spirit
wehenga, departure
whaa, four
whai, chase, pursue
whakaara, awaken
whaka-, causative prefix, to make or cause
whakaaro, thought
whakahaere, organise
whakamau, catch
whakamau-tia, caught, passive
whakaae-tia, agreed, passive
whakarongo, listen
whakatuu, cause to stand, establish
whare. house
whenua, land.









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Maori Unpacked, Appendix Three, On teaching o and a

Appendix Three

On teaching o and a; Some theory and practice

The present paper sets out to review some recent thinking on the o and a categories of possession. The positions of Biggs, Hohepa, Thornton, Moorfield, Foster and myself are considered.

What are these categories of possession? Thornton (1998) has an excellent summary the first two points of which are;

1 Possession is conveyed in two forms one consisting of or containing the vowel a and the other the vowel o.
2 In English the relationship is often indicated by of or by 's without any difference of meaning.

Beyond this point there is general consensus with one or two points of conjecture to which I will return about when to use o and when to use a. There is not the same agreements about why they are used when they are.

For example Biggs says that this difference is a distinction which can best be expressed by the terms dominance and subordinance. He gives the example;
Te waiata a te tangata to refer to a song that the person made or created and over which he or she is dominant.
This is followed by the example;
Te waiata o te tangata which refers to a song about or concerning the person and here, Biggs' argument goes, the man is subordinate.

This might be called the standard model of explanation and in her discussion Thorton rightly mentions John Moorfield (1988) who adds to the model set out by Biggs by saying the possessor may be in control or active or superior to what is owned. Moorfield so broadens the idea of dominance. Similarly he widens and further defines the idea of subordinance by saying that the o category should be used when there is no control over the relationship or is subordinate, passive or inferior to what is owned.

Foster (1987:56) goes a little further with this model by suggesting that there is an underlying principle involved whereby the a forms might be seen as active as they are used for people and things over which you have authority, control or power. By contrast the o form might be seen as passive in that it is used for people or things that have authority, control or influence over you. Foster says that the o form is also used for parts of things, feelings and abstractions or qualities.

Hohepa (1993) in some respects starts to talk about a distinct if not altogether different model. The thing that sets Hohepa apart is his emphasis on location. He says that the easiest way to choose the right possessive marker is to work out the relationship between the possession and the possessor and there are only two questions necessary these being:
1 Is the relationship based on location in which case use o and
2 If location is not relevant is the relationship based on control in which case use a.

Control is fairly straightforward and comes in a line, as it were, through the thinking of Biggs, Moorfield and Foster as set out above. As argued below Hohepa does have some interesting and important perspectives to offer on control.

Location according to Hohepa has a number of interrelated meanings these being:

1 The possession has a location in time and space as with nga ra o mua, the days of the past
2 The possession is part of the possessor physically, personally or spiritually

An example of the physical is te kakau o te hoe, the handle of the paddle
Other examples given by Hohepa are;

ooku ringaringa, my hands
ngaa wairua o oona tuupuna, the spirits of his ancestors
te hinu o te paraoa, the oil of the whale
te reka o te huka, the sweetness of the sugar
te kawa o te marae, the custom of the marae
toona pootae, his hat
te kai o te moana, the food of the sea
te kahu o Mere, the cloak of Mere
te kooti o te tangata, the man's coat
tooku hoa wahine, my wife
tooku hoa taane, my husband
tooku tuakana, my older brother

3 The possession acts as a location for the possessor. Here Hohepa refers to transport usually referred to by others as means of transport.

With respect to control Hohepa generally follows other commentators but he has some interesting angles of discussion in five discussion points;

1 When the possessor carries or moves the possession
Te kete a Mere, Mary's kit
2 The possessor rules, controls, orders or dominates the possession
Ngaa pononga a te rangatira, The chief's servants

Hohepa uses a gerund in another example:

Te patunga a Kupe i te wheke, the killing of the octopus by Kupe.

3 Where the possessor initiates or produces the possession
Ngaa mahi a ngaa tuupuna, the works of the ancestors
4 here the possessor and possession have an equal relationship
Te wahine a Tu Whakairiora, The wife of Tu Whakairiora
Te taane a Ruataupare, The husband of Ruataupare
5 here there is no control, that is if the possessor does not carry or move or rule, control, dominate, initiate or produce he possession you must choose o as the marker

Here Hohepa gives two examples using gerunds;
Te rironga o te wahine, the taking of the woman
Te matenga o te hoariri, the defeat of the enemy
and then
Ngaa tuupuna o te wahine, the ancestors of the woman
Te Kuini o nga iwi, the Queen of the people

It might be argued that all explanations of the o and a categories of possession are influenced by culture. Agathe Thornton does not dwell on such positions found in anthropology as the Sapir- Whorf hypothesis but she does offer a very good discussion of how tapu and noa might apply to the use of the a and o forms. Water takes o for example because it is tapu. There is an intriguing suggestion which Thornton takes from Bruce Biggs to do with the autonomy of parts of the body. There is also a good introduction of work not usually discussed in this area such as that by Schirres.

My own approach to the teaching of these categories has been to follow the sequence below.

To begin with The student is shown that here are two nominal or noun phrases involved;
eg te whare and te tangata
or te kai and te tangata
and that to connect these phrases as in the house of the man or the food of the man then o or a has to be inserted between the two phrases.

The student is then given four steps.

Step One
Part to whole
te waahanga o te mea, the part of the thing
te waewae o te teepu, the leg of the table

Step Two
Dominance
te kuri a te tangata, the dog of the person

Step Three
Subordinance
te tuupuna o te tangata, the elder of the person

Step Four
Means of transport
te waka o te tangata, the canoe of the person

A discussion of approaches

Biggs starts with dominance and subordinance. Foster begins with active and passive, Hohepa with location and control. Thornton starts with tapu and noa. My own approach is to start with part to whole relationships and then to proceed to other steps usually dominance and then subordinance and then means of transport. I try to teach each step separately though and sometimes teach means of transport or subordinance before dominance. The main thing I have found is that part to whole is always a good step to begin with as the student seems to find the propositions involved reasonable.

My experience has been that any approach involving one general principle tends to confuse the student. Having said that I have found that when a lot of time is spent early on the teaching on part to whole relationships then the teaching seems to go better. In this sense my method might imply that the rest of the steps are variations from a part to whole, unit of a system approach.

It might be suggsted that things either fit into a part to whole relationship in which case they take o or they do not in which case they might take a. This might be like Hohepa's notion of location but I have found that students, when faced with, say, the phrase;
te waewae o te teepu, the leg of the table can relate better to the idea of part to whole in such cases than to location which seems to make them hesitate.

This emphasis on part to whole is not offered as an over-arching explanation. Means of transport I find still needs to be taught on its own as a separate step. One reason for this may be that some of the terms used in other methods tend to confuse students. Foster's active and passive are good to use in revision work but not to begin with. Hohepa's location is hard to get across at times and even dominance and subordinance can be tricky.

I teach thoughts and feelings in steps two and three. In step two I suggest that if a thought is an opinion worked out by the speaker then it should take a. If the thought has come to he speaker in the sense that it merely occurred to that person then it might best take o.
te whakaaro a te tangata, the thought (opinion) of the person
te whakaaro o te tangata, the thought of the person

The latter indicates thoughts or feelings as they naturally occur or come to a person. If a person's conscious, creative input is involved then the a category might be taken.

Some things remain awkward to teach or to learn. The gerund is a case in point. Do you say te haerenga o or a te tangata? When you do not have an over-arching explanatory theory then you can have, I suppose, loose ends...



Bibliography

Bauer, Winifred 1997 The Reed Reference Grammar of Maori, Auckland, Reed Books
Biggs, B 1969 Let's Learn Maori A. H. and A. W. Reed
Cleave, Peter 2000 The Nurturing Shield; a collection of Essays on the Maori language, Napier, Campus Press
Foster, John 1987 He Whakamarama; a New Course in Maori, Auckland, Heinemann
Hohepa, Patrick W; A Profile Generative Grammar of Maori, Journal of the Polynesian Society, Wellington, 1968 Vol 77 : 83-100
Karena-Holmes, David 1997 Maori Language: understanding the grammar Auckland, Reed Books
Moorfield, John 1988 Te Kakano, Auckland, Longman Paul
Ngata, H. M. 1993 English-Maori Dictionary Wellington, Te Pou Taki Korero, Learning Media
Schirres, M.P. Tapu Journal of the Polynesian Society 91:29:5

Thornton, Agnes 1998 Journal of the Polynesian Society Vol 107 No 4 December.

Maori Unpacked, Appendix Two, A Note on teaching i and ki

Appendix Two

A Note on teaching i and ki

I have found that teaching i and ki in the following order seems to work:

1 following verbs of movement i means from and ki means to
Ka haere au ki te whare, I go to the house
Ka haere au i te whare, I go from the house

2 following statives i means by
Ka riro te keemu i a maatou, the game was won by us

3 i meaning with
Ka koa au i te whare
I'm pleased with the house

4 following universals both i and ki function as connectives as in
ka whakarongo au i a koe
or
Ka whakarongo au ki a koe
I listen to you

5 ki is an instrumental
Ka topa au i te raakau ki te toki, I chopped the tree with the axe

6 i and ki are locatives meaning in or at a certain location
Ka noho au i Rotorua, I live in Rotorua
Ka noho au ki Rotorua, I live in Rotorua

7 ki te means if
Ki te haere au ki Taamaki Makau Rau, If I go to Auckland

8 i te means because
I te hekenga o te ua... because of the falling of the rain.

Maori Unpacked, Appendix One, A note on Three kinds of berbs

Appendix One

A Note on three kinds of verb

There are various ways to look at the verb. Biggs in Let's Learn Maori suggested that there is a two part division; statives and universals.

One way to look at these is with the passive in mind.

Statives are inherently passive.

Universals can be made into passives.

Universals may be divided into verbs of movement which do not, as a rule take the passive and the rest which do.

Verbs of movement have a regular usage of i and ki wherein i means from and ki means to. This is set out in the note on i and ki.

It might also be the case that when verbs of movement are made into gerunds they take the o category.

With these distinctions in mind it may be profitable to say that there are three kinds of verb in Maori; statives, universals and verbs of movement. Kenneth Hale's work in this area is very useful..

Maori Unpacked, 63, Unpacking the agent

63
Unpacking the Agent

By taking te prefix kai and putting it before another word you can refer to an agent
kai-
kaimahi- worker
kai-
kaituhi
writer.

Maori Unpacked, 62, Switching Houses

62
Switching Boxes
Having come this far we can now look around the room. Some variations on the basics might be made.
Make sure that the Noun Box is not too far from the Verb Box.
As,
You can take a noun like whare
and make it a verb
by introducing it with a verbal particle like
kua
kua whare
Its become a house

He rakau noa iho i mua
It was just timber before
engari
but
kua whare inaianei
but now its a house

Another way to look at this is to say that it matters where you put the verbal particles. They are like transformers, they can make verbs of the words that follow them..

Maori Unpacked, 61, Journeys

61

Journeys

Putting things back together.
Write a six part sentence using directionals
Ka haere au ki Papakura
I go to Papakura
a, and
Ka haere au i Papakura
I go from Papakura
Write ten sentences like this going on a journey around the country..

Maori Unpacked, 60, Therefore

60

Therefore
Noo reira
Naa reira

He ahua makariri au
noo reira
ka haere au ki te ahi.

I'm a bit cold
and so/therefore

I go to the fire

Put this somewhere near because
noo te mea
naa te mea

Or perhaps put it beside where you put such Locatives as
there, at that aforementioned place
ki reira
Revise the locatives and see where you put them during unpacking..

Maori Unpacked, 59, If

59

If
mena
mehemea
put Mena or Mehemea on the walls in Posters with silly things like
Mena he kau au...
If I were a cow...
and do drawings to suit on the posters.

Now might be a good time to go around the room looking at all the ways to say if

Hei Tauira, For Example
If I go
could be rendered
Ki te haere au
Kia haere au
Mehemea ka haere au

and so on....

Maori Unpacked, 58, Putting our manners in place

58

Putting our manners in place.
Aata haere, go carefully.
Where do we put manner particles?
Pack them around the verb
Aata haere koe
You go carefully
Haere kee koe
You go there instead
Some manner particles like ata or tino can go before the verb but most come after like noa and/or iho.
He koohumuhumu noa iho
Just some gossip

Make up a Mobile about Manner particles.

Demonstrate Manner particles in a Mind Map..

Maori Unpacked, 57, How many relative clauses?

57

How many relative clauses have we got?
Lots!
Look;
e...ana
Ka koorero au ki te tangata e tuu ana i toku taha.

e...nei/na/ra
Ka koorero ki te tangata e noho nei i tooku taha
I speak to the person who sits at my side
or i...nei/na/ra
if its in the past

and same with ai
e...ai
i...ai

Then there are the possessives used to create or allow a relative clause
Ka korero au ki te tangata nana nei te kuri ma.
I speak to rhe person with the white dog.
Ka koorero au ki te tangata noona nei te waka roa
I speak to the man with the long car.

Do a summary of all relative clauses in your Mind Map.

Maori Unpacked, 56, Ai

56

Ai

I koorero au ki te tangata i tuu ai i tooku taha.
I spoke to the man who stood at my side.


Is it actually a relative?
I gues so. Let's see how he/she/it behaves.

Kua haere ia ki waho titiro ai
He's gone outside to have a look.

Make up a Mobile showing how i/e...ai/nei/na/ra clauses work.

In your Mind Map relate verbal phrases and noun phrases using this form of relative clause..

Maori Unpacked, 55, More relatives

55

And then there is another relative that I have not mentioned to you before
Ka koorero au ki te tangata e tuu ana i te kokona.
I speak to the man who is standing on the corner

Make a Poster about e..ana as used in a relative clause.

Make a Mind Map which explains how this kind of relative clause works.

Maori Unpacked, 54, Relatives

54

Unpacking with the relatives.

Ko teenaa te tangata naana nei te kuri pango
That is the person who owns the black dog
Ko teenei te tangata noona nei te whenua.
This is the person who owns the land

Set up two Mobiles, each with a nominal phrase and practice joining them together with a relative clause.

Put a diagram into your Mind Map showing how this kind of relative clause works.

Maori Unpacked, 53, Possessives

53

And what about possessives?

You're not being all possessive again are you Dear?

Why not?

Naaku te kuri.
The dog is mine
Nooku te whenua.
The land is mine.
The possessives follow the cases,
O or A.

Set up an O Box
So get onto the job, Holmes, Marlow, Bergerac or whatever your name is!

Based on the Appendix on O and A set up an O Box.

Based on the Appendix on O and A set up an A Box.

Make up a Mind Map using the Appendix on O and A..

Maori Unpacked, 52, More Comparisons

52

More comparisons
He pai rawa teenei i teenaa
This is better than that
Atu i teenaa kaaore au i te moohio
Other than that I don't know
He tino pai rawa atu teenaa.
A very much better thing.

He iti rawa tenei i teenaa
This is smaller than that
He nui rawa teenaa i teeraa
This is bigger than that

Make posters using arrows to show relationships.
Put objects in your room beside one another and compare them, the table next to the chair, for example.
He nui rawa te teepu i te tuuru
The table is bigger than the chair
He iti rawa te tuuru i te teepu
The chair is smaller than the table

Make comparisons as you pass by..