Wednesday, November 29, 2006

puff 200 Wheeler's Corner 46



Wheelers CornerÓ
Connecting Citizens Who Care
"Broadcast every Thursday at 11.45am on Access 999AM"Contact Peter at wheeler@inspire.net.nz
46 30th November 2006
This Week: 1. Awapuni wins again. 2. An Irrational fear. 3. Letters. 4. Valuations are they legal? 5. Strike at CCC. 6. Papaioea finds a common link.
1.
The Awapuni Ward Committee chairperson Annette Nixon invited Cinnemon Trail to attended the local ward committee meeting to explain her problems with the roading changes planned outside her place of business. Annette arranged with a shocked Ray McIndoe, [the PNCC management liaison officer at that meeting] to meet with Cinnemon the next day to reconsider the council plans. This was successful and so long as the council keeps its word then Annette can feel proud that her invitation to Cinnemon was the correct course of action. When council short falls are made public things happen and the Awapuni Ward Committee has proven the value of disclosing these short falls. In just the last few weeks the Awapuni Ward Committee has made public. The stupid ‘Rebirthing of the Esplanade’ exercises. The attempt to prepare for sale of the bowling / tennis club land on the corner of Park Rd and Fitzherbert Ave and not forgetting the stuff up over the Dittmer Drive speed humps. Once the hard work has been done ‘others’ jump on the bandwagon [Cr. Broad] but be that as it may if results are achieved so be it.
2.
The word Maori scared the pants off Don Brash to such an extent that he sometimes appeared racist based on the statements he made. The Labour Party on the other hand once it saw the gains made by National via its emphasis on all things racial have moved down the same track but in a covert manner. Some readers of Wheeler’s Corner also no doubt share views of concern. This irrational fear would be over come if we all took just a moment of time to listen, learn and then reconsider the reality of the communities we live in. Some Maori have united and produced these words for the creating of policy.
Kaupapa [Values] driven not portfolio driven,
Maori models not just western ones,
Top of the cliff not the bottom:
Positive strengths not negative dysfunction:
Inventive not conventional:
Equity based not equality based:
Investment not expenditure focussed:
Self determining not dependent:
Now who among us could not accept those words? Just imagine if our local council accepted a credo such as this. Consultation would not be done with reluctance but with pride. Listening to citizens would a pleasure not a burden. I was invited to attend the local branch of the Maori Party at the Highbury Whanau Centre at 11am on Sunday. It was a wonderful experience in all respects. The openness and obvious listening ability of all present was a joy compared to the controlled climate of council. It was ironic that on the day of this meeting the media was releasing poll results that show that Scotland has a majority wanting independence from England, likewise Wales feels the same way. Perhaps they too are growing up. Maori have a saying, “E môhiotia ana waho kei roto he aha’ One cannot known from the outside what is contain within’ [Unless one can see inside].
3.
Cr. Dennison is a truly fortunate young man. Unfortunately he still lacks the insight to realise that not everyone wishes to stand for Council for many reasons. Perhaps if he had had to work harder for his bounty he might just have a better understanding of the little quirks that beset the lives of ordinary people. Nevertheless, he should be commended for telling us he does not require the votes of, how did he put it, "sideline critics". The really sad thing is that so many men and women gave their lives, and some still do, to oppose living under similar extreme regimes that Cr. Dennison so obviously admires. Democracy is a struggle and it certainly isn't easy but for anyone who opposes it Robert Mugabe welcomes you with open arms. Signed E Constantine, sideline critic.
4.
Editor
Some of your readers may now be aware that they have received inappropriate valuations, some may not be. The value of some improvements have been deliberately reduced simply because the land value has risen. The effect depending on the amount of reduction will, in the first instance, require those owners to clarify their situation with their insurers if you do not have replacement insurance; and in the second instance provide some small degree of relief with respect to Horizon's capital rates. Let me be clear on two points, I have no objection to anyone receiving rates relief where the burden is great. What I am adamantly opposed to is relief that is provided without transparency and by covert means. My information suggests that the reduced valuations may be concentrated mainly, but not solely, in the Hokowhitu area. Should Quotable Value succeed in its endeavours to manipulate property valuations in this way the democratic process will be severely curtailed yet again. Valuations will forever lack transparency, professionalism and credibility; in short they will become a laughing stock. Furthermore, the people considering any complaints are those who provided the flawed valuations in the first place? You will have to decide if this practice is acceptable to you all. You have already lost the right to determine Councillor salaries (whether they work or not). You have lost the right to receive public information. You battle on two fronts if the regional council takes up projects rejected at the local level; Do you, as ratepayers, want to lose the right to determine a fair and equitable rating system? If you are opposed to this type of covert manipulation of rates then I suggest you choose someone to whom you are prepared to provide your address, present and previous LVs, and CVs (no names required) to determine how widespread this issue is. If after checking your revaluation documents you have some concerns please contact me, on phone 06-359-2030 or wheeler@inspire.net.nz
5.
Hi,You might be interested to know that SLGOU (the union representing Christchurch City Council employees) has issued notice of industrial action [on behalf of its members] due to the failure of two rounds of mediation. CCC Employees will be striking for 3 hours on Friday 8th December from 11am to 2pm. I'm a council employee so I'll be striking. The council position has been all along, and I assume they haven't changed this position, is that they have a budget of 2.5% for all staff wage increases and that they can't go above this figure. Furthermore, to a address an imagined imbalance in pay rates compared to the market median, they wish to give most of this 2.5% to the top end of the salary scale, who are under paid. With little or nothing to people at the bottom of the scale who are supposedly over paid? Well I am almost at the very bottom of the pay scale and I can assure you all that I am not over paid. Anyway just thought you might be interested in what the Christchurch Shitty Council is trying to do to its hard working employees. Given that 2.5% doesn't come close to meeting inflation, CPI etc it is unacceptable, in Solidarity Nick Scullin. Thanks Nick, our CEO here in Palmerston North got a $45.000 increase while many staff failed to keep up with inflation…
6.
Papaioea Ward met on Tuesday night and after a few phone calls mustered the numbers [30] to hold an election to fill a vacancy. A Mr. Linklater was duly elected and his name will go forward for consideration by the full council for confirmation on Wednesday the 11th of December 2006. Now this was no ordinary Mr. Linklater this was the chap who sold the land to the council known as the ‘Linklater block’ which council staff member Paul Wylie has recommended be considered for sale to some unknown buyers. Paul Wylie had been instructed by Councillors’ to prepare and sell only 4 hectors, while this instruction is a part of the recommendations the report [Rejected because of lateness] goes much further and has upset hundreds of residents in the Papaioea Ward and possibly thousands across the city. Even though this important issue was being discussed Cr. Pope failed to turn up or give an apology; Cr. Hornblow gave an apology. Cr. Findlay and Etheridge were present. The council representative to this meeting was none other than Ray Swadel strange that don't you think...
My God says 'well done Annette and Cinnemon, you prove that anythink is possible when right is on your side.
Peter J Wheeler
Wheeler@inspire.net.nz

puff 199 A Post for Unit Standards

Unit Standards exist within the New Zealand Qualifications Authority.
In Puff an effort is made to align some Posts with Unit Standards. So far these are;
puff 168 An ethic of empathy Unit Standard 16267
hau 179 Ethics and social work education Unit Standard 19404
on
http://puffcom.blogspot.com/2006/11/puff-180-ethics-and-social-work.html

puff 192 Placement procedures Unit Standard 19399
on
http://puffcom.blogspot.com/2006/11/puff192.html

Tuesday, November 28, 2006

puff 198 NME's Top Fifty, reviews, videos

Top music downloads
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NME's Top Fifty
1 Beth Ditto, The Gossip
2 Faris Rotter, The Horrors
3 Lily Allen
4 Jarvis Cocker
5 Karen O, Yeah Yeah Yeahs
REVIEW- we caught the gig in Auckland. It was great. More to come on this from Esme? And Leo? And Bella?
6 Kieren Webster, The View
7 Kate Jackson, The Long Blondes
8 Gerard Way, My Chemical Romance
9 Thom Yorke, Radiohead
10 Lovefoxxx, CSS
11 Paul Simenon, The Good, The Bad & The Queen
12 Liam Gallagher, Oasis
13 Jamie Reynolds, Klaxons
14 The House Of Lords, The Young Knives
15 Tahita Bulmer New Young Pony Club
16 Cee-Lo, Gnarls Barkley
17 Ryan Ross, Panic! At The Disco
18 Carl Barât, Dirty Pretty Things
19 Jack White, The White Stripes/The Raconteurs
CHECK OUT the cover of Jack White's 'Little Ghost' by The Turpentines
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and another cover of the same song...
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20 Jamie Frost, The Automatic
21 Serge Pizzorno, Kasabian
22 Eugene Hutz, Gogol Bordello
23 Albert Hammond Jr, The Strokes
24 Meg White, The White Stripes
25 Jay-Z
26 Keith Richards
27 Matt Bellamy, Muse
28 Pete Doherty
29 Brandon Flowers, The Killers
30 Statik
31 Richard Hawley
32 Alex Turner, Arctic Monkeys
33 Vincent Vincent Vincent, Vincent & The Villains
34 Lupe Fiasco
35 Alexis Taylor, Hot Chip
36 Mike Patton
37 Jamie Williams, Tilly & The Wall
38 Bobby Gillespie, Primal Scream
39 Mike Skinner, The Streets
40 Ali Love
41 Tunde Adebimpe, TV On The Radio
42 Mince, The Fratellis
43 Devendra Banhart
44 Sam Duckworth, Get Cape. Wear Cape. Fly
45 Victoria Bergman, Ex-The Concretes
46 Jackie McKeown, 1990s
47 George Barnett, These New Puritans
48 Cat Power
49 Thorunn Antonia Fields
50 Amy Winehouse
Top MP3 downloads
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puff 197 Anna Nicole Smith

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See the comment on the Comment at the bottom of the page.

Anna Nicole Smith was born Vicki Lynn Hogan on November 28th, 1967, in Houston, Texas. After her father abandoned her and her mother when she was a child, she was raised by her mother and aunt, commuting back and forth to each caretaker.At the age of 17, Anna (then Vicki) married Billy Smith, and that same year, they welcomed their son Daniel into the world. Time with Billy was short-lived and young Anna was left to care for her son alone.anna nicole dances toplessIn order to pay the bills, she began working at topless bars in Houston, where she was actually more noticed for her rear than for her breasts (she did not yet have the breasts that she's famous for today). But since she was not as rail-thin as the rest of the dancers, Anna didn't work the coveted hours of topless clubs and was instead scheduled during the afternoon shift.Regardless, Anna (who then used several pseudonyms such as Nikki and Robin, before finally sticking to Anna Nicole) was discovered by a photographer, and quickly realized that she could use her body as a career tool. Since her childhood dream was to become the next Marilyn Monroe (her idol), Anna was inspired to make a name for herself.anna nicole gets plastic surgeryAfter a breast enlargement (Anna insisted on having two implants inserted into each breast) and some cosmetic surgery, Anna was ready for the big time, and ironically, headed in the same direction as Marilyn Monroe. She entered the Play..boy Cover Contest, and appeared on the cover of the magazine at the age of 24. Two years later, Anna was crowned 1993's Play..mate of the Year, which, although is an honor in itself, led Anna to bigger and better things.Thanks to her Play..boy appearance, Guess? president Paul Marciano, also responsible for the modeling careers of Eva Herzigova, Josie Maran and Shana Zadrick, saw Anna's potential and cast her as a Guess? model.

She made her big screen debut in the 1994 slapstick comedy, Naked Gun 33 1/3: The Final Insult, followed by an appearance in The Hudsucker Proxy, starring Tim Robbins. anna nicole marries j. howard marshallIf audiences didn't catch Anna in these films, they surely heard of her questionable marriage to oil tycoon J. Howard Marshall II -- 60 years her senior -- on the 27th of June 1994. Anna remained low-profile with her wheelchair-bound husband, until Marshall's death in 1995.In 1996, the former Play..mate filed for bankruptcy, after a former female assistant sued her for sexual harassment (she would have had to pay $850,000 US).
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anna nicole inherits $450 millionAlthough Marshall had left Anna with an inheritance, his heirs claimed that she could not receive what he left her, accusing her of mistreating him in his last few days and not marrying him for the right reasons. She was not mentioned in any of his wills, but claimed that he offered her half of his money, to speed up her decision to marry him.

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A version of Anna for Anna Nicole Smith


After a bitter court battle between Anna and Marshall's son, E. Pierce Marshall, Anna was rewarded $450 million in 2000.anna nicole does reality tvOn August 4th, 2002, the E! channel began airing its first season of The Anna Nicole Show. Although Anna had gained a considerable amount of weight, viewers tuned in to watch Anna make a fool of herself week after week. Before the second season started, producers of the show demanded that Anna drop some weight before shooting began, and with the help of TrimSpa, a supplement that claims to block fat from entering the body, Anna has trimmed down significantly and reportedly lost 80 pounds. Although Anna Nicole now looks great, she no longer has a TV audience: The Anna Nicole Show was canceled in 2004, but we're confident that she'll have other projects on her plate soon enough.


Check Out 'Changing Chairs'
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Thanks for this comment;
Not a bad article but you might want to look into some of the legal items. Anna was not specifically left anything by her husband. So, the courts have gone back and forth over whether a verbal agreement existed. She has both won and lost several tiyormes over the years and it will probably not end anytime soon.
Responses to the comment might be;
Why?
Is there a reason why the verbal agreement does not stack up?
Is the real Anna Nicole Smith story about Anna as diet-and-pills/in-control-out-of-control on the American edge of sex and weight and luck/opportunity?
The comment explains what happened well- now the question is who is Anna Nicole Smith and why does she mean so much to us?
Thanks again for the comment!

Death certificate issued for Anna Nicole Smith's son; no cause of death given
The Associated Press

Published: September 20, 2006


NASSAU, Bahamas Authorities issued a death certificate for the son of Anna Nicole Smith but left the cause of death undetermined pending toxicology tests, a lawyer for the former reality TV star's family said Thursday.

Attorney Michael Scott said the document will let the former Playboy playmate bury the remains of 20-year-old Daniel Smith, who died Sept. 10 at his mother's hospital bedside in the Bahamas.

Filed on Wednesday, the death certificate lists the cause as "pending chemical analysis," said Chief Magistrate Roger Gomez.

"It is not unusual in instances where the cause of death cannot be determined to issue a death certificate," Gomez told The Associated Press. "This is not a matter of special treatment being given in this particular case."

Scott also said Thursday that Smith, 38, planned to file documents registering the birth of her 2-week-old daughter, but he declined to reveal the girl's name. He added that Anna Nicole Smith has been granted permanent residency in the Bahamas, where she came to avoid media scrutiny during her pregnancy.

She is gradually recovering from her son's death, he said.

"She's much better," he told the AP. "You never get over that, you get through it. Time is the catalyst for that."

It will likely be two weeks before pathologists receive test results, said Scott, who is the attorney for Daniel Smith's estate.



Authorities say there is no evidence of homicide or suicide. A private examiner hired by the family, Cyril Wecht, said in an interview from his Pittsburgh, Pennsylvania office that Smith was taking a low dose of the antidepressant Lexapro at the time of his death but he did not know if it was a factor.

"We'll have to see if it proves to be an accidental drug-related death due to a couple of drugs in his system," said Wecht, who added that blood tests have ruled out the presence of alcohol and some drugs including cocaine, opiates and amphetamines.


Scott criticized the island chain's head coroner, Linda Virgill, for labeling the death "suspicious" last week and saying that her office knew the cause of death before toxicology tests were complete.

"Unless she's psychic or God, unless the pathologists know the cause of death, how does she?" said Scott, adding that some in the Bahamas worried the highly publicized case was affecting the island chain's image.

"We are all aware of what happened in Aruba. We are all aware of what happened to Natalee Holloway," he said, referring to the high-profile disappearance last year of an Alabama teen. "We don't want that to happen in this jurisdiction."



Virgill declined to comment Thursday when reached by The Associated Press.

Larry Birkhead, a photojournalist who claims to be the newborn girl's father, said he regretted missing the birth as he was shown photos of the girl by a correspondent for TV show "Entertainment Tonight."

"It just seems like I should have been on the other side of this picture," Birkhead said.

Smith's camp has been silent on the identity of the girl's father.

Daniel Smith, who appeared several times on the E! reality series "The Anna Nicole Show," was the son of Anna Nicole and Bill Smith, who married in 1985 and divorced two years later.

Anna Nicole married Texas oil tycoon J. Howard Marshall II in 1994, when she was 26 and he was 89. He died the following year and she has since been involved in legal disputes over the estate.

___



NASSAU, Bahamas Authorities issued a death certificate for the son of Anna Nicole Smith but left the cause of death undetermined pending toxicology tests, a lawyer for the former reality TV star's family said Thursday.

Attorney Michael Scott said the document will let the former Playboy playmate bury the remains of 20-year-old Daniel Smith, who died Sept. 10 at his mother's hospital bedside in the Bahamas.

Filed on Wednesday, the death certificate lists the cause as "pending chemical analysis," said Chief Magistrate Roger Gomez.

"It is not unusual in instances where the cause of death cannot be determined to issue a death certificate," Gomez told The Associated Press. "This is not a matter of special treatment being given in this particular case."

Scott also said Thursday that Smith, 38, planned to file documents registering the birth of her 2-week-old daughter, but he declined to reveal the girl's name. He added that Anna Nicole Smith has been granted permanent residency in the Bahamas, where she came to avoid media scrutiny during her pregnancy.

She is gradually recovering from her son's death, he said.

"She's much better," he told the AP. "You never get over that, you get through it. Time is the catalyst for that."

It will likely be two weeks before pathologists receive test results, said Scott, who is the attorney for Daniel Smith's estate.

Authorities say there is no evidence of homicide or suicide. A private examiner hired by the family, Cyril Wecht, said in an interview from his Pittsburgh, Pennsylvania office that Smith was taking a low dose of the antidepressant Lexapro at the time of his death but he did not know if it was a factor.

"We'll have to see if it proves to be an accidental drug-related death due to a couple of drugs in his system," said Wecht, who added that blood tests have ruled out the presence of alcohol and some drugs including cocaine, opiates and amphetamines.

Scott criticized the island chain's head coroner, Linda Virgill, for labeling the death "suspicious" last week and saying that her office knew the cause of death before toxicology tests were complete.

"Unless she's psychic or God, unless the pathologists know the cause of death, how does she?" said Scott, adding that some in the Bahamas worried the highly publicized case was affecting the island chain's image.

"We are all aware of what happened in Aruba. We are all aware of what happened to Natalee Holloway," he said, referring to the high-profile disappearance last year of an Alabama teen. "We don't want that to happen in this jurisdiction."

Virgill declined to comment Thursday when reached by The Associated Press.

Larry Birkhead, a photojournalist who claims to be the newborn girl's father, said he regretted missing the birth as he was shown photos of the girl by a correspondent for TV show "Entertainment Tonight."

"It just seems like I should have been on the other side of this picture," Birkhead said.

Smith's camp has been silent on the identity of the girl's father.

Daniel Smith, who appeared several times on the E! reality series "The Anna Nicole Show," was the son of Anna Nicole and Bill Smith, who married in 1985 and divorced two years later.

Anna Nicole married Texas oil tycoon J. Howard Marshall II in 1994, when she was 26 and he was 89. He died the following year and she has since been involved in legal disputes over the estate.
Let's close with Anna Nicole Smith at the Awards

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puff 196 Kelly Ripa




Biography for Kelly Ripa

Birth name
Kelly Maria Ripa
Height Click Here!
5' 4" (1.63 m)
Mini biography
Kelly Ripa had been performing in her senior high school play, The Ugly Duckling, when she was approached by her current manager, Cathy Parker, who encouraged her to pursue acting. After attending new Jersey's Camden County Community College, she performed in local theater productions before joining "All My Children" (1970) in November, 1990. Kelly has received nominations for a 1993 Daytime Emmy Award and a 1993 Soap Opera Award. Kelly, is the first in her family to enter the acting profession. She had studied ballet since age three, plays the piano and, in her words, is "no Barbra Streisand", but can carry a tune.


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about adds ana announces anorexic atlantic baby book brazil bulimia business casual changing city company consumers courses court directory discounted distribution driving escorted execution experts first free games global how interactive internet launched launches life make marketing media model morpher music new newly now offers one online owners party pc presents press professional provides quadrant real releases ronaldo search site software sony steppes supports take tax technology that this ticket tour traffic travel uk us visits voice web website week years you you're

puff 195 Ana, Luisel, Beatriz, Carla, Sonia, ogura yuuko?

Beatriz Ferraz Bastos Lopes Bastos, 23, Carla Sobrado Casalle,21 RIP 女子高生 Who took away the video of Daniela Cicarelli? 1100 hits on YouTube Jan5 oo7 for You're Free- Ana Carolina Reston..Phentrazine - Now Available Without a Prescription



This is not Bali ? Sonia




People have been clicking on the song 'Anna' while remembering the Brazilian model, Ana Carolina Reston

http://www.youtube.com/watch?v=26XTSreeMEQ

Like a trip on the tongue
You sit in my mind Anna
Like a wind in the sand
You tickle my fancy Anna

Oo wee, Oo wee
The moon comes gently down on you
Anna

Send me a line from your Ocean Liner
Anna
tell me the time where the sun meets your mind
Anna

Oo wee, Oo wee
The moon comes gently down on you
Anna








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Check out a video from Brazil on Ana Carolina Reston
http://www.youtube.com/watch?v=nQovs75oD64
Check out another video from Brazil about Ana
Check out the influences
And check out 'Ana Carolina- You're Free'

http://www.youtube.com/watch?v=1Ad-QbsMKaE

You threw a stone into the sun
Doo wah
Peace broke out and the war was won
Doo wah, doo wah
Now turn around
Laugh at the clowns
You're free

So let it roll
Let it roll into the night
Let it roll
Let it roll into the night
Jump into your car and speed out of sight

You threw a song up to the moon
Doo wah
You thought it was too late
I thought it was too soon
Doo wah, doo wah
Now turn around
The moon is calling you
You're free





Two models, Luisel and AnaIn August, Luisel Ramos of Uruguay, only 22, died of a heart attack moments after stepping off a catwalk in Montevideo. She had reportedly been living on lettuce and diet drinks. In response, models auditioning for Madrid Fashion Week are now examined by doctors and those with a body mass index (BMI) that is below 18 are off the runway. According to the World Health Organization a BMI less than 18.5 is considered underweight, 17.5 indicates anorexia, and a BMI nearing 15 is on the point of starvation. When she died, Ms Reston’s BMI was just 13.4. The BMI is the ratio of a person’s height to their weight.

Now a second model has died from being too thin - Ana Carolina Reston, a well-known Brazilian model who worked for Giorgio Armani, died of kidney failure this week (Tuesday, 14 Nov 2006) at the age of 21, one day before she was to fly to Paris for a photo shoot. She was 5 feet 7 inches tall but only 88 pounds. The model reportedly ate little else than tomatoes and apples. Reston had been recently hospitalized because of a generalized infection due to her weakened condition, and had been in the hospital three weeks when she died. She had been a model since 13 after winning a local beauty contest in her hometown of Jundiai, on the outskirts of Sao Paulo. She had spent the last eight years working as a model for several agencies, including L’Equipe and Armani, and did jobs in China, Turkey, Mexico and Japan, local media said.

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Ana’s mother, Miriam Reston, spoke to the O Globo newspaper in Brazil, saying that Ana had been trying to help her family with the money she made as a model, but to “Take care for your children because their loss is irreparable. “Nothing can make the pain go away. No money in the world is worth the life of your child, not even the most famous (fashion) brand is worth this. Her boyfriend, Bruno Setti, 19, is also a model. Bruno’s mother Viviane spoke out and said, “Ana’s death should serve as a wake-up call to modeling agencies about the danger of anorexia. There’s nothing glamorous about an ending like hers.”
Dani Grimaldi, Reston’s cousin, told Estado de Sao Paulo that Ana Carolina also suffered from bulimia. “Fifteen minutes after eating she would lock herself in the bathroom and turn on the shower so no one could hear her vomiting,” he said.



Ana had seen specialists about her eating disorder, relatives say, but had resisted admitting that she was ill. “She had no resistance and the medication had no effect because of her extreme weakness,” her aunt, Mirthes Reston, said.

Another cousin, Geise Strauss, 30, who lived with her, said: “She didn’t like eating what we ate. When she did eat, she ate very little and recently she’d go to the bathroom and make herself sick as soon as as she left the table. She liked apples and she adored tomatoes as well but that was about it.”

Lica Kohirausch, owner of agency for whom Ana worked, said: “We brought Ana back to Brazil after she did a catalogue for Giorgio Armani and a representative rang me to say she was too thin. It worried me coming from a professional used to dealing with models and I acted immediately, but I didn’t see any physical signs of anorexia on her return.

A spokesman for L’Equipe amplified by saying, “We don’t force our professionals to be ‘very thin.’ Those who have a naturally thin biotype work in fashion and those who haven’t are addressed to advertising. After [she] had to be admitted in the hospital, she was frequently visited by an employee from the agency. All medical staff responsible for her was extremely worried, because she complained from pain in the kidneys and had a profile of generalized infection.
“L’Equipe would like to reinforce that its philosophy has always included the concern about the professionals’ health, including their diet and physical activities. We are deeply sorry about what happened to Ana Carolina Reston. Even in these dark times, we have never stopped helping the model and her family.”

The issue of ultra-thin “zero” models (who wear size zero) has been a big topic of debate. While Spain has taken sharp action, the French have taken a different attitude than their southern neighbors - the head of the French Couture Federation, Didier Grumbach, insists anorexia is a “social problem” that should be controlled through “information” not “regulation.”



“To say that we should regulate just one profession among many to avoid young girls getting thin, when everything in our society encourages them to do so, is unreasonable,” Grumbach said.

His words are echoed by Chanel, whose spokesman said that “the fashion world is not responsible for anorexia. You can’t solve a global problem by regulating one profession. That’s an inappropriate response to a serious problem. Fashion is a reflection of changes in society. It’s not the cause,” he argued. “People shouldn’t try and turn something that is a worldwide health problem into a fashion world drama.”

Achilleas Constantinou, a leading member of the British Fashion Council, was one of the first to call for a ban on super-skinny models.

This week, Armani entered the fray to support ejecting super-skinny models from all the main fashion shows. “I have never liked thin girls and I have never made them go on the catwalk,” he asserted.

Karl Lagerfeld sees it differently - “What I really didn’t like was that certain fashion sizes were made bigger. What I created was fashion for slim, slender people”

Famously skinny model Twiggy responded that “Everyone is not meant to be skinny. It’s a tricky area. The designer likes to design for slim models. It’s how they feel their clothes look the best”


And the fight over “zero sized” fashions may only intensify this fall. In the U.S., Banana Republic and Nicole Miller will introduce “sub-zero” sized fashions for women this fall, taking skinny sizes to a new low.

Ana Carolina

The death of an anorexic model who weighed just 88 pounds has shocked fashion-conscious Brazil, where many young women dream of becoming the next Gisele Bundchen.Ana Carolina Reston, 21, died Tuesday of generalized infection caused by anorexia nervosa, a disorder characterized by an abnormal fear of becoming obese, a distorted self-image, a persistent aversion to food and severe weight-loss, said officials at Sao Paulo's Servior Publico Hospital."Take care for your children because their loss is irreparable," Reston's mother Miriam told the O Globo newspaper."Nothing can make the pain go away. No money in the world is worth the life of your child."Reston began her modelling career at the age of 13 after winning a local beauty contest in her hometown Jundiai, on the outskirts of Sao Paulo."Ever since she was a little girl, she dreamed of becoming a model," her mother said. "She would put on my shoes, dress and makeup and pose."Continue ArticleReston spent the last eight years working as a model for several agencies, including working in China, Turkey, Mexico and Japan, local media said."I noticed something was wrong when she returned from Japan," her mother told the Estado de Sao Paulo newspaper."She was too thin … and when I told her to eat something, she would say:`Mom, please don't fight with me. There is nothing wrong with me, I'm fine."'Afflicted with bulimiaDani Grimaldi, Reston's cousin, said she also suffered from bulimia, a disorder marked by binge eating, followed by vomiting or the use of laxatives."Fifteen minutes after eating she would lock herself in the bathroom and turn on the shower so no one could hear her vomiting," Grimaldi told the Estado de Sao Paulo.The world of high fashion and modelling has long been targeted by critics who say it encourages women and girls to emulate rail-thin models.In September, a Spanish fashion show responded to such criticism by barring models with a body mass index below 18. Body mass index is a calculation doctors normally apply to study obesity — anyone with an index below 18.5 is considered underweight.Reston, who was 5-feet-8, would have had a body mass index of 13.4 at the time of her death, a calculator on the website of the U.S. Centers for Disease Control and Prevention indicated.
Model’s Death from Anorexia Spurs More Warnings
Model’s Death from Anorexia Spurs More Warnings

This summer saw the Madrid shows banning skinny models, and now followed by the death of anorexic model Ana Carolina Reston maybe that’s enough for the rest of the fashion industry to finally wake up to the dangers of the eating disorder.

Reston,

21, a 5′ 8″ Brazilian model weighed only 88 pounds at the time of her death. She succumbed to an infection caused by anorexia nervosa, officials at Sao Paulo’s Servior Publico Hospital said.

And now Twiggy jumps on board in blaming Hollywood for it’s role in the skinny.

Image [source]ana reston anorexia carolina death fashion models skinny
Ogura yuuko?
tag cloud
about adds ana announces anorexic atlantic baby book brazil bulimia business casual changing city company consumers courses court directory discounted distribution driving escorted execution experts first free games global how interactive internet launched launches life make marketing media model morpher music new newly now offers one online owners party pc presents press professional provides quadrant real releases ronaldo search site software sony steppes supports take tax technology that this ticket tour traffic travel uk us visits voice web website week years you you're


And Check Out 'Twisted Barbie'
http://www.youtube.com/watch?v=N7I1hS4OsyI
Fashion you say?

Monday, November 27, 2006

Sunday, November 26, 2006

puff 193 Petit's The Human Pool

Chris Petit's The Human Pool is another triumph. The other or at least the other one that I have read being Psalm Sunday the book that argues that the conflict in Northern Ireland was, at one point at least, between MI5 and MI6.

The Human Pool is a slow burner. Its construction is a strange, rambling structure at which I sometimes had to force myself to look. Certain floors in this building seem to have been missed. The Nuremburg Doctors' Trial and the Code of Medical Ethics that followed are not given prominence. And yet that is the point or at least one point on which this book might have swung quite clearly.

Bluntly, the book is hard to get into and sometimes hard to follow.

This rather large thing aside, the book is brilliant. The scope of experimentation on pools of hmans with drugs, is set out. The context that Petit offers for this is, yawn, the world of the spy. Spies for the Eichmann, spies for Dulles, for OSS, the SS the MIs and on- spies for hire.

I woke up to the idea that all this occurred in a very twentieth century disollution of the human personality. End games as identity changes. All happening in the names of wider, sometimes final solutions.

Some funny little thoughts throughout the book: the notion that a great leader will come out of the area above Iraq, how important was Dulles..or the Reichfuhrer...where is Five in all of this human-pool-for-the-testing-of-drugs-business, where is Six...


Interested in Computers? Ana Carolina Reston's pick you say?
Click Here!

Friday, November 24, 2006

puff 192 Placement procedures Unit Standard 19399

puff 192 Placement procedures Unit Standard 19399
Placement ProceduresThis unit standard, unit standard 19399, unit standard 19400, unit standard 19415 and unit standard 19416 replace unit standard 7921.View Accredited ProvidersAccreditation & Moderation Action Plans:People credited with this unit standard are able to: reflect on the theory, philosophical perspectives, and skills for Iwi/Maori social services and how these are incorporated into the candidate's work; reflect on and analyse the integration of theory, philosophical perspectives, and skills into a personal practice theory for Iwi/Maori social services; and explain the application of professional practice and ethical principles to Iwi/Maori social service work within an agency context.Standard-setting body: Te Kaiawhina Ahumahi Social Services Industry Training Organisation Inc

Placenent procedures may be profitably approached on a point of view (POV) basis.
The POV of the student.
The POV of the placement supervisor
The POV of people in the workplace
The POV of course tutors

Once these perspectives have been established then an exercise in social work theory and practice can begin. The personal practice theory of each individual might be found in their POVs. For example the placement supervisor might want to see;
A Foundation description of the course.
An affirmation of ANZASW principles.
Quality assurances of knowledge, experience and maturity might be requiredA schedule of meetings with the student and tutor.
A clear idea of the work involved including matters to do with case load.
Some supervisors want the teaching of practice standards to be of high quality.
Some also want the student to arrive with a clear and specific idea of what they are to do.
Some placement supervisors want an assurance that they do not need to counsel students on placement.



Want Hyper Wiper? It helps with PlayStation3 you say?
Click Here!

Thursday, November 23, 2006

hau/puff 191 ka hao te kupenga hiko

Check out
Cleave, P 2000 Ka hao te kupenga hiko, He Tuhinga Aronui; the Journal of Maori Writing Ed Moon, P
Also
Calling a hui on the communications marae in Illusions in the early (?) nineties.


Want to improve the traffic to your computer? As used in Babel you say?
Click Here!

puff 190 Sovereignty questions

What is the Littlewood Treaty document?
Dis the British government intend to annex New Zealand?
How did Hobson exceed his authority if indeed he did so?
How were people to be recognised as fellow sovereigns?


Want to clean up that computer? Cheryl Burke did you say?
Click Here!

Wednesday, November 22, 2006

puff 189 Lady so far

Starting to get the most clicks now of the set of videos on YouTube
http://www.youtube.com/watch?v=DkCwCFbGf3U


The way computers work in Dancing with the stars you say?
Click Here!

hau/puff 188 Some thoughts on Maori and Samoan

Daniel Craig uses this?
Click Here!

The NurturingShield: some thoughts on Maori and Samoan
This was originally given at the Measina a Samoa 2000 conference in Apia, Samoa. In recent months the Maori Language Commission, Te Taura Whiri i te Reo has been talking about comparisons and contrasts between language retention and transmission amongst the Polynesian languages including Maori.
Maori and Samoan are both spoken in Aotearoa/ New Zealand along with English which is, of course spoken in Samoa as well as Samoan. There are various sovereignty issues in both contexts. In Aotearoa/New Zealand the Maori minority in schools will become a majority in 2050 according to some projections (Dom 6.8.2000). Policy will no doubt reflect this shift.. Samoan is spoken by a majority in Samoa and a minority in New Zealand. It seems to be he case that an increasing number of younger Samoans communicate with one another in English both in Samoa and Aotearoa/New Zealand.
There may be comparable transitions with respect to language. The Year Eight examinations in Samoa might have a effect on the use of and the status of Samoan in the eyes of younger people in Samoa. With the wananga developments of he last decades it is possible for Maori students to be taught in Maori until they graduate from a tertiary. But still for many students the transition to high school entails a greater use of English.
Both Samoan and Maori are Polynesian languages. Is it the case that Melanesian languages are more adaptable, more eclectic ? If so does this pose different challenges for these language families?
Fetui and Williams (in Mugler and Lynch 1996) draw on the work of Kristiansen, Harwood and Giles (1991) to point to three things:
1 the social status of language
2 institutional support
3 demographic support
Samoan is the official state language of Samoa and in practice it is the first language of the country. On this basis Samoan in Samoa would seem to have a firmer status than Maori in New Zealand. On the other hand there may be a more extensive state apparatus in the Maori case and the situation of Te Taura Whiri i te Reo, the Maori Language Commission is interesting in many respects. It effectively represents a minority view across a broad spectrum. The greater scale of resources may sometimes work to nurture or shield the minority language.
The status of a language varies from group to group of speakers. The status of Samoan might differ between matai or chiefs who use the Samoan in a ceremonial way and students preparing for examinations in English. There might be similar differences of status between groups i Aotearoa/New Zealand.
Both Maori and Samoan are caught up in a survival situation. Such a position requires the language to e a nurturing shield. The speaking of the language gives- and does not take away- confidence. In Aotearoa- New Zealand Maori is sometimes referred to as Te Reo Rangatira, the language of chiefs. This accords the language with status and also looks to protect it, to shield te reo and give it a protected status.
This leads to the second point, institutional support. For the most part this comes from the educational sector. The use of television and radio to promulgate the use of language especially where there is state support is also important.
Samoa is not an affluent country. This means that of necessity institutional support of any kind is limited by comparison with Aotearoa/New Zealand. On the other hand Samoa is compact and tightly knit as a society, at least by comparison with New Zealand. Also there are powerful institutions outside the state such as the church. As a transmission vehicle for the Samoan language the church in Samoa and in Aotearoa/New Zealand is very important.
Te Puni Kokiri and Te Mangai Paho are very useful institutional supports. The former helps with analysis and suggestions as to how to implement language policies and the latter with broadcasting.
Most important are the indigenous institutional supports. For example the way in which Maori is spoken at ceremonial gatherings such as the Poukai or round of meetings held by the King Movement on a annual basis offers significant support.
The three part process involving status, institutional and demographic matters misses some points. It has bee suggested that there is a difference between cognitive academic language proficiency, CALP and basic interpersonal skills, BICS, the former involving abstract problem solving and the latter contextual cues. According to this way of thinking unless the gap between these is minimised and achievable to speakers the language will have difficulties surviving. In a competitive situation the language preferred for abstract thinking will be the winner and this usually means that English prevails.
When considering the suggested distinction between CALP and BICS the Melanesian- Polynesian distinction suggested earlier also comes to mind. Is there a sense in which both languages are
, at present, symbolic?
Another point missed in the three part discussion above is corpus development and relexification. As Fenton and Moon in Cleave (2000) suggest there are important issues here.
Media including the use of the internet may also be of critical importance in language retention. Across Polynesia radio seems to be popular but other media are not as consistently found.
Intervention points may differ. Aoga are important but not, or at least not yet as important as kohanga reo. Should Te Taura Whiri be copied in Samoa? It might well be asked what constitutes an effective language intervention.
Maori and Samoan are both more than languages. Are they languages of emotional rescue? Do they each nurture and shield a culture?
Are both languages affected by language anxiety. Zaan suggests that the confidence of students learning Welsh is helped by their understanding of grammar. A second language is always asked to explain itself.
Is there a Polynesian style of learning? If so is such a style encouraged in both the Samoa and the Maori cases?
Would it be worth studying the comparisons and contrasts between iwi and Samoans in Samoa and elsewhere? For example, the Tuhoe might be closer in comparison to Samoans in Samoa with respect to language use while the Ngati Kahungungu or Ngai Tahu might be more similar to Samoans in Aotearoa/New Zealand. In the former comparison there might be more native speakers in both places and in the second there might be fewer.
The two languages along with English are found in educational systems that are very similar in Samoa and Aotearoa/New Zealand. While it might be too much to suggest that the Samoan educational system is an extension of he New Zealand system there is no question that they are similarly modelled and that a lot of advice is taken from New Zealand experts.
There is also the question of the Treaty of Waitangi. What difference have the policies and practices put into place with respect to the Treaty made to the situation in Aotearoa/New Zealand as compared to Samoa? How are aid strategies in Samoa affecting language retention and development?
Is thee a profitable future in the comparison and contrast of Maori and Samoan or do Welsh and Hawaian yield more interesting insights when compared with Maori o Samoan?
Bibliography,
Cleave, P 2000 Ka hao te kupenga hiko, He Tuhinga aronui; the Journal of Maori Writing Ed Moon, P
Cleave, P 2000 Fields of light, Fields of pain: small group work in social work education in Aotearoa/ New Zealand in He Tuhinga Aronui; the Journal of Maori writings, Moon, P Vol 4 No 2 October
Cleave, P and Khulmann C 2000 Language and mutual aid in The Changing Field: a Journal of Social Change, Issue 2, Campus Press, Napier
Cummins, J 1984 Wanted; A theoretical framework for relating language proficiency to academic achievement among bilingual students, in C Rivera (ed) Language Proficiency and Academic Achievement Clevedon:Multilingual matters
Cummins J 1996 Negotiating Identities; education for empowerment in a diverse society Ontario: Canadian Association for Bilingual Education
Fetui, V and Maalaki-Williams, A. M Introduction to the Samoan language programme in New Zealand in Mugler and Lynch
Mugler, France and Lynch, John 1996 Pacific Languages in Education, Institute of Pacific Studies, Suva
Mulitalo- Lautaa, P 2000 Fa'asamoa and social work within the New Zealand Context Dunmore Press, Palmerston North

puff 187 Two experiments with pitch

In the Kingdom of the Keys- an experiment with pitch
A clicker says it sounds like John Lennon...




Guitars? Click Here!
Big Shout Out to Dean from the Akatarawas who knows Paul Walker and also knows the way Blues works with pitch- see the artilce below as well...




Johnny Rockaway- a experiment with pitch



One of the motorcycle gangs in Marlon Brando's The Wild Ones was called The Beetles. George Harrison wanted to call the group that he was in by that name. John Lennon liked the idea and suggested a change in spelling- The Beatles...so the story goes

Check out
http://www.speakeasy.org/~shilad/jazz/doc/api/overview-summary.html

And check out an excellent summary of blues including a mentio of pitch on
http://www.wpsweb.com/performingarts/BrownBagJazz/blues.htm

Origins

The blues has often been called "the most important ingredient in American music." It has been used by many composers including George Gershwin, and elements of the blues are used in nearly everything that jazz musicians play or sing.

There is considerable controversy as to the origins of the blues. Historian Joseph Machlis says it is a native-American musical form. Alan Lomax claims origins in Africa. Like most forms of jazz, the blues mixes elements of both European and African traditions. We do know that it seems to have been first introduced around 1900. One of the earliest songs, "Mamie’s Blues," comes from this period. Some of the first published blues songs were "Jelly Roll Blues" written by Jelly Roll Morton (1905) and the "Memphis Blues," written by W. C. Handy in 1912. Then there is the word ‘blue,’ which is often associated with sadness, hard times, or depression.

Some of the melodic elements, such as the use of "blue" notes (see below, under blue scale), probably came from earlier types of Afro-American music. The music that we know as the blues probably evolved from a merging of African and European music that was initially sung by slaves responding to their oppressive environment. The call and response style, originating in Africa, derived from various forms of music including field cries in work songs, southern prison chain-gang songs, church music and spirituals, and oppressive living and working situations. Stylistically, the blues has many differences from "ragtime," which was another early type of African-American music, which will be pointed out below.

Blues Lyrics:
Blues is primarily a vocal form of music with instrumental accompaniment (unlike ragtime, which is purely instrumental). Blues lyrics are typically very personal, and often deal with the pain of betrayal, desertion, unreturned love, or other sad situations. The structure is usually several verses, each verse having three lines or phrases. The same text is often repeated for both lines 1 and 2 to a similar melody for the second line, although the harmony changes (see harmonic structure below). The third line has a completely different text and melody.

Blues Scale:
Lowering the 3rd and 7th scale steps (called "blue" notes) and omitting the 2nd and 6th scale steps easily form the blues scale. In G Major, it would become the following in its simplest form, which is actually the same as the "la" pentatonic scale:

G B flat C D F natural G
la, do re mi so la

Other forms of the blues scale became more complex, and could include the 2nd and 6th steps, and also a flatted fifth step--another "blue" note. In G major:

G A B flat C D flat D E F natural G

The blue note on the 3rd, 5th, and 7th, also was not always completely flatted, but often performed somewhere in the middle between the "regular" note of the major scale and the "flatted" note. Often singers would slide between various notes, making the actual pitch somewhat unclear.

Harmonic Structure:
The most common harmonic structure is the 12-bar blues progression, one chord for each "bar" or "measure." Every four bars make up one line (or phrase) of the song. As you can see from this chord progression, the blues relies on the three primary chords of I, IV, and V.

I I I I / IV IV I I / V IV I I

STUDENT ACTIVITIES

Despite the debate about the origin and growth of the blues style, a wealth of written information is readily available. Students usually enjoy learning about the blues because of its emotional appeal. The activities that follow are appropriate for upper elementary and middle school students of many ability levels, and can be related to the two blues songs at the end of this packet ("Good Morning, Blues," and "Joe Turner Blues").

Blues classroom activities and Learning Standards (MA Arts Framework):
A. Sing expressively with appropriate dynamics, phrasing and interpretation.
1.8 Sing music representing diverse genres and cultures.
B. Echo and perform easy rhythmic, melodic, and chordal patterns.
3.10 Play by ear simple melodies and accompaniments.
C. Improvise "answers" in the same style to rhythmic and melodic phrases.
D. Create and arrange short songs.
E. Perceive, describe, and respond to basic elements of music.
F. Use appropriate terminology in describing music
G. Investigate how artists create their work.
H. Describe the roles of artists in specific cultures and periods.
I. Identify characteristic features of native and immigrant groups.
J. Perform or create works inspired by historical or cultural styles.
10.1 Integrate knowledge of music to learning other disciplines.

Orff Activities for "The City Blues"- Jerry Silverman:

Write the harmonic progression on the board.
Have students write in letter names of notes in the key of a blues song (see back of packet).
Invite students to choose unpitched percussion instruments and improvise their own rhythms. Notate on board.
Teach students a simple accompaniment on Orff instruments with unused bars removed.
When they are confident, replace the non-chord tones that were removed and have students improvise.
Have students write new lyrics to the song; perform.
Keyboard activities for the blues (for students with little or no keyboard background):

Start with single notes, having students play the 12-bar pattern on whole notes while teacher plays melodic patterns. Then move to half notes, etc.
Moving to chords, use colored dots for the three chords used in the 12-bar blues pattern. (The same thing works with Orff instruments and guitars.)
Begin by having different groups (or individuals) of students play just one chord while performing the 12-bar pattern. Lead to each student being able to play the whole pattern.
Teach simple melodic patterns to enhance the chordal accompaniments.
Have students improvise melodic patterns.
Additional music classroom activities:

Have students do a visual representation of the 12-bar blues form.
Ask students to think of an incident in their lives where they felt sad. Have them write a short verse of blues lyrics to describe how they felt. Perform it.
Use unpitched rhythm instruments to demonstrate the harmonic progression of 12-bar blues.
Use movement to illustrate chord changes in the 12-bar form.
Compare and contrast blues sung by different artists.
Collaboration/integration:

Work with the art teacher on visual representations of the blues form.
Develop a time line of the blues working with the social studies teacher.
Also with the social studies teacher, work out a map of the US showing "hot spots" for blues performances and birthplaces of blues performers.
Language arts – analyze rhyme schemes of blues lyrics.
Arrange for a "blue" assembly integrating all of the above.
Social agendas – Given that the blues is a whole basic system, have students think of values, traditions and rituals that are part of their lives. Use the blues chord structure as a metaphor to tell about their daily rules for living.
Blues Bibliography: (Books for students)

Cook, Bruce. Listen to the Blues. New York: Da Capo, 1995
Lomax, Alan. Land Where the Blues Began. Dell, 1995
Murray, Albert. Stomping the Blues. New York: Da Capo, 1989.
Palmer, Robert. Deep Blues. Viking, 1982.
Shapiro, Nat and Nat Hentoff, editors. Hear Me Talkin’ to Ya. Dover Press, 1966.

Brief Discography:

Chess Blues. Four CDs. Chess; CHD4-9340.
Johnson, Robert. Complete Recordings. Two CD set. Columbia/Legacy; C2K-46222.
Smith, Bessie. Complete Recordings. Four sets of 2 CDs. Columbia/Legacy; C2K47091, 47471, 47474, 52838.
Water, Muddy. Best of Muddy Waters. Chess; CHD4-31268.

This page was prepared by Springfield, MA, music teachers:
Vera Baker, Irina Dohzhenko, Diane Goldstein, Julie Jaron.

puff 186 Little Ghost

Little Ghost, Turpentines Version
A cover of the Jack White song.
This version recorded in the garage at Sycamore features Esme Cleave on maracas and production.
http://www.youtube.com/watch?v=ejZYXlP1nWc


Wii?
Click Here!


Little Ghost, Upstairs Studio Version
Another cover of the Jack White song
This is a one take version by Peter Cleave
http://www.youtube.com/watch?v=wWE9ZS0_mGk

Tuesday, November 21, 2006

Post 185 Carols in the Cathedral

TV One come to town to record Carols

Television One’s Praise Be programme are recording New Zealand carols in Palmerston North for the playing on their Christmas Day special 2006.

Anyone and everybody is welcome to take part in the recording which will be held at the Cathedral of the Holy Spirit, 197 Broadway Avenue, 7 to 10 pm.

Those wishing to share in this event should attend two rehearsals, the first taking place on Wednesday 29 November, 7.30 pm to 9.30 pm, and the final taking place on Sunday 3 December, 7 pm to 10 pm, both at the Cathedral.

Well-known Manawatu music leaders will take part, including Music Director Roy Tankersley, organist Alison Stewart, pianist Guy Donaldson, the Salvation Army Brass Band led by Mark Stone, and other local instrumentals.
Click Here!


Local Coordinator, John Thornley, says most of the carols and hymns will feature New Zealand composers and hymnwriters, including Shirley Murray, Colin Gibson, Jenny McCleod, Jillian Bray, Bill Bennett and Cecily Sheehy. He said, ‘We are delighted that Praise Be have chosen Palmerston North to record their 2006 Christmas Special, and are confident the Cathedral roof will ring to the sounds of glorious singing for this TV Christmas highlight.’

A separate recording session on Tuesday 5 December will feature local choirs, including the Palmerton North Choral Society, the Renaissance Singers, the women’s choir Camerata, Huntly School and the Palmerston North Children’s Choir.

Post 184 A Post for Anna Hoffman

A Post for Anna Hoffman

A Play about Anna?
This Post began as a response to someone looking for a copy of the Bumper book about Anna....is there a second volumn? Was Alan talking about this with Anna...

What would be in such a play?

O J Simpson?
Click Here!

'Anna' recorded late on a Sunday afternoon...
http://www.youtube.com/watch?v=26XTSreeMEQ

This is a song composed in Napier for Ana Hoffmann and based musically on a jazz crooner style. Its all sixths or thirteenths or whatever with a bit of other stuff thrown in,
Peter Cleave
And, Kerry, its one take...

Monday, November 20, 2006

Post 183 Boxing- Womens World Championships


News of Womens Boxing World Championships in Delhi, India
Photo of M C Marykom- see story below
Mairehau Bentson fought the Polish boxer JagodaKayrega but was defeated 21-22 in an extremely close bout. It was one of the more exciting bouts as the score changed point for point throughout and had the entire crowd on their feet. The score was even when on the bell the Polish boxer landed the deciding punch.

Click Here!

EarlierMairehau Bentson beat the Korean Yeon Kyung23-21.
Mairehau had been doing extra pad work prior to the bout and her keeness and devotion has paid off. Full marks to Billy Meehan her coach in Palmerston North and to Allan Dickie the Team Coach.
Kelley Woolrich fought the American Yvonne Quevedo and wasdefeated 14-27. Reports have come through that Kelley had been suffering a stomach upset.
Click Here!
Earlier reports

MC Marykom became world champion for the third time on Thursday winning the 46 kg but sadly for the diminutive boxer the struggle still continues.
Victory is sweetest when it comes after months of sacrifice, hard work and harbouring never-say-die attitude and after winning the title she broke into tears.
"I want to thank the entire country, all media persons, my coaches and my family. Thank you so much," Marykom said after winning the title.
But for Indian women boxers, like Marykom, everyday, every moment is a struggle in itself.
"Kya milega, kya karega boxing mein. Aisa bol ke tang kiya tub mereko bahut dukh hua (People used to make fun of me by saying what will you get from boxing. I became very sad then)," she said.
Coming from a very humble background, the 24-year-old's ticket to glory has been sheer grit, and the power to dream.
Her small frame and seemingly frail shoulders are deceptive as she packs a mean punch.
Winning a silver in the first World Championships, Marykom came right back to win the gold in Turkey, Russia and completed her hat-trick in India in the fourth edition in of the championship in Hyderbad.
So where did it all begin?
"I saw men and women training together and I was interested," she said.
She started training in the camps and had to stay away from her family and her husband during the training period. But her folks never forced her to pull away from her passion.
There is another side to Marykom and she has lived with a passion that she has not quite encouraged and that is singing.
But once the flashlights dim, Marykom will be back in the training ring preparing hard for the big dream of winning an Olympic medal.


India's Beniwal loses in world boxing
India had a poor start at the Women's World Boxing Championship as Preeti Beniwal lost to Polish Karolina Michalczuk in the 54-kg category here Saturday.
Karolina dominated Beniwal right from the first round and won the bout 24-9 points at the Talkatora Stadium.
The best bout of the day was between Lydia Walczak of Canada and Ri Kwang Suk from North Korea in the 54-kg category. It ended with both girls tied on 23 points, but the Korean prevailed on individual scores.
Two of the bouts were stopped on RSCOS (Referee Stopped Contest Out Scored). In the first, Issatayeva from Kazakhstan conceded to a far superior Hrytsay from Ukraine in the 54-kg, and Ri Jong Hyang from North Korea overpowered Koufi Arbia from Algeria in the 48-kg.
In other matches of the 54-kg category, Sapriye Sengul of Turkey defeated Emily Klinefelter of the US 20-7 and Katie Collander of Finland defeated Erdenegerel Bummaa of Mongolia 25-5.
One of the bouts in the 48-kg, between Myloserdna of Ukraine and Valerie Bedard of Canada, was stopped on RSCI (Referee Stopped Contest due to Injury).
In other bouts in the same category, Hungarian Monica Csik defeated Laura Tosti of Italy 19-8 and Gladkova Olesya of Russia defeated Boranbayeva Nargul 18-7.
Earlier in the day, the championship started off with a march past by all the countries and a dance performance by the students of the Delhi Public School, R.K. Puram.
A total of 181 boxers, including 13 from India, will take part in the event that will be held in 13 weight categories.
The winner in each category will receive $2,500, the runner-up $1,500 and the third will get $750.




hau 182 Some notes on kai

Click Here!

Kai is food

Ko te kai a te rangatira ko te korero
The food of chiefs is oratory

Tuhoe moumou kai,
moumou taonga e
tangata ki te po e

Tuhoe extravagant with food,
extravagant with gifts
with despatching people to the underworld

Kai is profusion

Kawhia moana,
Kawhia kai,
Kawhia tangata

Usually translated along the lines of;
Kawhia seas,
Kawhia bountiful food,
Kawhia with lots of people

Kai is a riddle, puzzle or toy
Is there is a game with string?

puff 181 Ten songs for a wake

Ten songs for a wake...You're Free gets 1000 hits on YouTube...

'I shall believe'-is this a guitar for church?



My love is your love came to be recorded because I could not get the way Whitney Houston sings this song out of my mind. That nasal sound which keeps the note and focusses it...


'Johnny Rockaway' was written for the generation passing away who might relate to Marlon Brando and Brigitte Bardot. An earlier version was all haunting lead guitar. The version on this Post was done at a time when I was playing around with pitch. I'm not sure what key its in now!

'Colin McCahon' was originally done for a play I'd written on Alan Maddox. The story is that Maddox and his mates met up on the night Colin died at the Stairways Gallery in Napier. Johanna ran the Stairways Gallery at that stage. Recently I added another verse which reminded me of Hank Snow when I played it back. After that someone told me in an altogether different setting that Colin played Hank when he felt down...the version on this Post is dedicated to Dean Murray whose songs evoked a feeling for he place where we live in me.

The next song is 'Ana'. This is different to an earlier version- the Hip Hop version produced by Rebirth. This more laid back, bar chord style version is dedicated to Ana Marie Reston a model who died with complications from anorexia. Like 'You're Free', the song stood on its own when composed but for a long time it was dedicated to Ana Hoffman of Napier.


'You're Free' has been composed in 2006. I was working on it when news of Sally Rodwell's death reached me and I dedicated a version of the song to Sally.

The fifth song is 'You're Free' again but dedicated this time to Luisel Ramos and Ana Carolina Reston. Same song, different video.In January 2007 this song went over 1000 hits on YouTube. Not sure what this means...

'In the Kingdom of the Keys',the 'Johnny Rockaway'version here and the 'You're Free' songs have alll been done in 2006. 'Johnny Rockaway' and 'In the Kingdom of the keys' are experiments with pitch. 'Johnny Rockaway is low vocal' and the others, especially 'Kingdom' are high vocals. Kingdom is more of an afterlife song than a song for a Wake but someone sugggested it could be included in this collection.

And there has also been a suggestion that the 'folk' version of 'Veronica Bay' be included. I suppose so...

And now there has been a suggestion that 'o johnny I hardly knew you' should be included to make ten songs. Its Irish I think. Maybe the Pogues do it. 'Yee' became 'you' when it went to America? Did the Carter family do it? Here its visceral with lots of sounds from some night jungle...

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hau 180 Ka pai ki muri, ka pai ki mua- Maori protocol in the workplace

This Post will cover work done and work in progress in seminars by Hone Davis and Peter Cleave
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Sunday, November 19, 2006

hau 179 Ethics and social work education Unit Standard 19404

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Unit Standard 19404
Analyse ethics for social service work

Ethics and social work education
What is it that we have in common in social work and in social work education? Before we consider ethics in social work and social work education we need perhaps to think about what it is that we do how we do it and why. After that we might be able to codify common ethical values that help to prevent professional abuse.
Above the policies and practices of local organisations there are national codes of ethic in different countries and, since 1994, a Code of Ethics of the International Federation of Social Workers. The ethics and values of these Codes are mostly influenced by the western, European countries (Banks, 1995). Four main principles are found;
1 respect for the individual person/case
2 self-determination of the client/user
3 promotion of social justice
4 working for the interests of the client/user
The present Post builds on an earlier paper (Cleave and Khulmann 2000). As pointed out there most ethical codes sometimes forget to say that in practice there is inevitably a tension between the business of supporting the interests of clients and social justice on the one hand and their duties to control and save money on the other (Payne 1995). In addition to this the 'Codes' place more emphasis on the individual's rights to respect and support than on the duties of the societies towards those who have been 'crushed and downtrodden' (Salomon 1923) during their fight for economic survival. Those are- all over he world- mostly women and children, often from minority or oppressed groups.
Most ethical codes concentrate more on the professional-user relation and less on the society-social problems relationship. In the beginning of the profession there was a broader approach to social work ethics mainly in the works of Alice Salomon as she began he task of looking at the tradition of help ind the Judeo- Christian world.
We might also learn from the ethic of mutual aid found in other cultures such as the Maori tradition. This might be elicited in a study of aroha and other terms. Aroha indicates support, care, affection and identificatio with the user of the social work service. There has been a great deal of influence from the Judeo-Christian traditions on Maori and other Polynesian cultures simply through historical exposure and in some ways this makes comparisons and contrasts difficult.
Sometimes an ethic as a matter of reflection. It is found in the way people think about society the way they inquire. The Polynesia tradition involves shared talk. This may seem to the outsider as a lot of shared talk by as many people as possible, by a committee of the whole for any given situation to sort out or sort through an issue.
This process of talk also involves the following of ritual guidelines in the form of the protocols of the marae, te kawa o te marae in the Maori case. This in turn involves distinctions between locals and visitors, tangata whenua and manuhiri and other matters in a culturally specific form of inquiry or rangahau (cf Post 148 http://puffcom.blogspot.com/)
There is, in this ethic, also the affirmation of an ethic position. Maoritanga or the Fa'a Samoa which some see as 'a whle way of life' and others see as 'a whole way of struggle' (Webster 1998). This may be like Weber's 'Protestant ethic' or wht came to be known as a 'work ethic'. Ways of life, ways of struggle are involved.
To return to the Judeo-Christian tradition there is also the matter of mutual aid traditions including those of ethics surviving industrialisation, urbanisation and the vanishing of extended families. Traditional structures of social support broke down and the state neglected to build up new ones.
Into this vacuum stepped people like Heinrich Wichern who founded the 'inner mission' in 1848. He demanded a special welfare organisation in order to adapt Christian welfare to an industrialised society. At he same time diakonia, thforms of social support in the first Christian communities, were emphasised (Cleave and Khulmann, 2000:163).
Christian and Jewish traditions of welfare were involved ni the establishment of social work in Germany (Cleave and Khulmann 2000: 162-6).For Alice Salomon (1872-1948), the founder of IASSW in 1928 social justice was the main obligation of social work.As suggested by Cleave and Khulmann ibid the destructive power of the developing capitalistic market, the colonisation of traditional structures of care and support forced those who were engaged in social work to einvent or call up again an ethic other than an ethic of the market or the 'free' workingma and consumer.
It may be the case that social work in Aotearoa has seized on the ethic of a minority group, the Maori, in much the same way as that suggested in Europe. The language of the minority offers tools for challenging the prevalent ethic.
To return to the four points raised earlier;
1 respect for the individual person/case
2 self-determination of the client/user
3 promotion of social justice
4 working for the interests of the client/user
In the case of Aotearoa to Point One might be added respect for the whanau or extended family of the individual concerned. A reference to he Treaty of Waitangi would be a significant addition to Point Two. Similarly social justice, the third matter, might also involve the Treaty or initiatives like Puaoteatatu. The last point, working for the individual might also involve the whanau and the Treaty as well as the hapu and the iwi.
Where the iwi or the hapu and in some cases the whanau are social work providers there are matters that may apply to all of the four points.
In any given country there will be local characteristics. In Aotearoa one feature must be the primacy of the Maori child. In Europe the situation with respect to gender rights might be more acute when Muslim minorities are concerned although gender rights are important in all countries as are the rights of the child.
It is important to appreciate the functions of a social work ethic. Not only is there the guidelines for the correct and just ways of doing things. There is also the possibility that the ethic is a kind of underground railroad where the values and aspirations of minority and repressed groups might be carried along in times of threat or repression. It may be the case that sometimes the ethic is subverted and used in the interests of the power structure. It is important for the student of social work to work through these possibilities to arrive at their own understanding of the ethics involved.
Bibliography
Banks, Sarah 1995 Ethics and values in social work Macmillan Press, Hampshire and London
Cleave, Peter and Khulmann, Carola Language and mutual aid, in Cleave edit. The Nurturing Shield, Campus Press, Napier
Payne, Malcolm 1985 The code of ethics, the social work manager and the organisation in Watson edit A code of ethics for social work: the two step, London 104-122
Salomon, Alice 1923 The relation of the church to social workers in Proceedings: National Conference of Social Work in Washington

Saturday, November 18, 2006

puff 178 Veronica Bay

Pony Band version- Nikolao Fonotoe on percussion
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puff 177 A Post for Vestey

Mike Vestey once sorted me out in a kind of cross interview situation in Wiltshire . I was getting his thoughts for a radio programme called London my London to be broadcast from a station in Awapuni and Vestey was interviewing me for his column in the Spectator...Peter Cleave
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Michael Vestey BBC journalist who articulated the loathing of Birtism
Tim LlewellynTuesday September 5, 2006The Guardian
Michael Vestey, who has died suddenly aged 61, was a consummate broadcaster, one of that generation of journalists who in the 1960s brought district reporting cunning and Fleet Street knowhow to the BBC's high-minded newsrooms, but were as articulate and erudite as the corporation alumni they so often elbowed aside. Like many of his era, he met his nemesis in John Birt and the rolling revolution the authoritarian director general imposed in the early 1990s.
Unlike many, however, Vestey enjoyed revenge, and indulged it both in his roman a clef, Waning Powers (1995), a novelistic scourge of BBC news managers, and also in his radio column in the Spectator, which broadcasters turned to with trepidation. His comment, in the BBC house magazine, Ariel, that Birt "stifled much of the creativity of the BBC, wasted huge amounts of money on management consultants and constant restructuring, and disposed of many older but talented people who knew radio and television well", exemplified the sort of acerbic intervention he would make.
Vestey's disdain for inadequate superiors was palpable, but to his peers - whose praise the genuine journalist values more highly than that of bosses - he was a masterly reporter, foreign correspondent and current affairs presenter with an elegant turn of phrase and a convincing, resonant, unmannered delivery. His prose was tough and alive but never maudlin, and he refused to be "involved", a modern fashion he hated.
Vestey was born in Bournemouth, and brought up and educated in south London, joining the West Kent News Service in Tonbridge Wells at 17. Its then owner, Bob Friend, also later a BBC foreign correspondent, remembers him crashing two cars in his first week (Vestey was a lifelong motor racing aficionado), and sums up those days as "lots of fun mixed with fairly hard work".
In 1965, Vestey went to the Daily Sketch as a reporter, and then to the quintessentially 60s magazines, London Look, London Life and the London Magazine, before joining the Sunday Express diary team. It was perhaps mingling with the gossip fodder of Belgravia and the shires, and amid the jeunesse dorée with their Vidal Sassoon haircuts, Biba smocks and Mary Quant mini-skirts that he acquired the gloss that slightly daunted us at Broadcasting House when he arrived as a radio reporter, via Radio London, in 1973.
There was a patrician quality leavened with high Toryism that appeared to set "the Colonel", as he became known, aside. Yet he quickly proved that this was a style behind which there was hard professional substance. Reporting assignments in Northern Ireland; a dangerous and successful year in southern Africa, including Rhodesia/Zimbabwe; a tour in Iraq for the early stages of the conflict with Iran; and an assignment in Patagonia during the Falklands war (where, to his delight, he found British spooks consorting at General Galtieri's expense with the Chilean military) all demonstrated that he was among the finest BBC foreign correspondents. But largely for family reasons, he did not apply for a posting overseas.
Later, in the mid to late 1980s, Vestey was temporarily a foreign affairs and a defence correspondent at Broadcasting House, and was attached to the World Service correspondents' staff at Bush House. He found the most amenable niche of his middle years, however, at the World Tonight, on Radio 4, his natural home, where he was able to indulge his foreign affairs experience, produce analyses and occasionally present the programme.
His love and care for the English language was reflected in his admiration of Orwell, Greene, Waugh and of his own BBC heroes, Charles Wheeler and Alistair Cooke. But in the age of the worship of "accessibility", such skills and sentiments counted for little, and, inevitably, Birtism did for him. Vestey watched with alarm as the corporation began to change from a worthy, if eccentric, institution into the multi-faceted, streamlined provider of 24-hour information and crass entertainment that it largely is today, pace his havens of Radios 3 and 4.
Eased out in early 1994, Vestey, by this time living in Dorset, near Shaftesbury, worked for Meridian TV in Southampton, but concentrated his writing and literary talents on his Spectator column. From 1996 onwards, he excoriated Birt and his apparatchiks for inaugurating "a decline in morale and consequently the quality of programmes" (as he once put it in a book review). He kept watch on broadcasters' increasing unfamiliarity with the writing and pronunciation of English and indulged his quirkily conservative view of the world and his antipathy to the European Union.
In my view (that of a reader, God forbid, of the Guardian) Vestey was to some extent a tongue-in-cheek rightie, provoked into baiting his prevailingly pinkish colleagues at BBC current affairs. It is also to his credit that my obsession with - and his loathing of - the Middle East never came between us.
As for Europe, he was most vehemently not of it, but was never happier than when in it. He and his partner of the last 11 years, Katie Byrne, spent much time at his apartment in the Umbrian village of Panicale, near Perugia. He remained on good terms with his first wife, Lorna, whom he married in 1968, and was devoted to their three children, Corin, Rosalind and Nicholas. A second marriage, to Sarah Beddington in 1989, also ended in divorce. They all survive him.